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sauvignon blanc

Bovine beach blues (New Zealand, pt. 12)

[net on Okia Beach]The road not taken

Commitments are a strange thing. “Next time we’re in New Zealand, we’re going to do some hikes,” we’d agreed in the rosy afterglow of our 2002 trip, and at the time we’d fervently meant it. New Zealand’s incomparable natural beauty is, despite a general lack of roads, surprisingly accessible…but then there’s much more that’s not, unless one is willing to get out of the car, train, boat or tour bus and walk a bit. It was, at the time, a firm commitment to an ideal.

Of course, the strange thing about commitments and ideals is how they crumble in the face of reality. Neither of us much likes camping (Theresa’s just not into the hassles, while any affection I once had was thoroughly destroyed by the Boy Scouts, especially our northern Minnesota winter excursions – 30ºF below zero, all day and night – and their mosquito-ridden summer equivalents), Theresa has a downhill ski racing-damaged ankle and two similarly-damaged knees that ache to the point of immobility on extended downslopes, and, to be honest, neither of us have entered this vacation in the best of shape. An exploratory early-evening stroll around our villa on Waiheke Island drove this point home with accompanying dismay, when after a mere fifteen minutes of low-impact and low-speed walking we were sweaty, tired, and eager to sit down for dinner.

Nonetheless, surrounded by the natural majesty of the Otago Peninsula, we’re determined to overcome our self-induced obstacles. Not being fools, we’ve chosen to start our walking adventures on a flat track and in the cool of the early morning. Bill, our host at the Fern Grove Garden, delivers our breakfast – enough for three starving lumberjacks: fresh fruit, organic eggs, milk, bread, butter, and a rather frightening quantity of muesli – and serves of a side of some experienced advice on which tracks might suit our needs.

Basalt, salt, and the roar of the lion

A short while later, we’re in a dusty car park (really just a flat circle of gravel) with a field full of placidly munching cows gazing lazily over a long wooden fence at these interesting new intruders. We can hear the gentle scrape of the ocean beyond the horizonless pasture, but much walking lies between us and it. To our left, gentle hills turn steeper, full of grassy and fern-covered tumult. We open a gate next to a sign that announces the beginning of our journey – the Okia Track – and start down a rutted tractor path.

Ten minutes later, we’re back at the gate. It turns out that we’re on the wrong side of a fence. The commitment is strong, perhaps, but the skill may be lacking.

(Continued here…)

Transitory traumas (New Zealand, pt. 11)

[plane]It’s the most stunning flight ever.

I’ve flown over the towering spires of the Alps. I’ve flown over deep blue equatorial ocean flecked with glinting white. I’ve flown over the jagged russet shading of the Grand Canyon. They’ve got nothing on this series of views: isolated, snow-capped Mt. Ruapehu rearing above a few drifting clouds, the girdled regularity of Mt. Egmont and its endless downflowing rivers, flowing white-capped turbulence on Cook Strait, the delicate golden tracery of Farewell Spit, and then the towering, rust-colored Kaikoura Range in disordered majesty, bordered by the relentless oscillation of the Pacific Ocean.

Theresa encourages me to get the camera and take a few pictures through the plane’s tiny window. But no, I don’t think I will. Some pictures are beyond the lens.

In Christchurch, arriving later than we’d anticipated thanks to a delayed Auckland departure, we engage in the most unsecure of transfers – through a door, around a corner, and into an already-queued line of passengers, with nary a security camera or officer in sight – to our next flight. A thirty-three seat, double-propped needle in Air New Zealand blue and white sits on the tarmac, and Theresa immediately gets nervous; she doesn’t like small planes, she hates turbulence, and this flight promises an abundance of both. Amid the clatter and chaos of the care and feeding of an airplane, carts and hoses and identically-suited men swarming like workers ‘round a queen bee, we board the plane, passing our luggage – currently sunning itself atop an overstuffed baggage cart – along the way. We’ve paid $100 in “overweight” charges to get this already-irritating collection of clothing and wine onto the Waiheke Island ferry, onto an Airbus shuttle (as always, incredibly delayed and highly unreliable), and onto a small domestic jet. It’s amazing what the addition of a single case of wine can do to otherwise hassle-free travel, and my back still hurts from lugging the box across a busy Quay Street in Auckland.

The southward flight from Christchurch is bumpy and far less scenic than its predecessor, with the buffeting waves of the Pacific coastline petering out against low, rocky cliffs that only slightly elevate the farmland to their west. It seems we’ve barely ascended to a level cruising altitude when we make a slow, sweeping turn to the right and begin the seemingly endless westward descent to Dunedin’s remote airport, the enveloping hills turning green and lush and overrunning the last traces of farmland. A tiny, somewhat ill-designed terminal is packed with students returning from holiday (Dunedin is a major university town), and one by one they pull battered knapsacks and trunks from the conveyor belt and depart for re-acquaintance with friends (and, no doubt, re-acquaintance with hefty quantities of Speights). Eventually, we’re left with a dozen other forlorn-looking tourists and students, luggage-less.

(Continued here…)

Sheep attack! (New Zealand, pt. 8)

[Stony Batter bottles]Flocking together

A large, flightless mass akin to a colorful heirloom chicken scuttles across the yard, pausing every few feet to investigate a potentially edible morsel. Cliff and I emerge from our apartments at the same time to watch, which only serves to increase the velocity of its scampering and nibbling.

“It’s a weka, I reckon,” opines Cliff.

…

Swans, geese, ducks and gulls congregate in multiracial harmony on a beach that adjoins the Matiatia ferry wharf. Neither begging food from passersby nor twitching in fear from same, they bask in the sun, preening and squalling as the ferry noisily chugs, groans, and squeaks into its berth. Our guests have arrived.

…

A not-so-stealthy and rather ridiculous-looking black, blue, and white bird with a vivid orange beak and grossly un-proportionate legs stumbles around the roadside, occasionally veering onto our already too-narrow road. Were there ever need for a visual link between the bird and the dinosaur, this sight would settle all doubts. We slow down, then swerve as best we can to miss it, but it seems not-at-all put out by the cloud of dust that now encompasses it. Neil Courtney, concise as ever, answers my unspoken query: “pukeko.”

New Zealand is for the birds

Stony dancer

It’s a sunny, hot day on Waiheke Island, though cooling ocean breezes keep the temperature just a shade short of uncomfortable. We’ve picked up Auckland-area wine writer Sue Courtney and her husband Neil for a day of wine tasting, a reversal of our usual arrangement (in which they cart us around mainland wine regions), and definitely some sort of payback for Sue’s guidance on our previous visit. That is, assuming the Americans’ driving on remote gravel roads through the wilds of Waiheke doesn’t give them both premature heart attacks. I do note that Sue’s breath seems a little quicker than usual, though Neil is his usual stoic self.

Sue’s arranged for us to start our day with a tour at the reclusive and remote Stony Batter winery, and it’s impossible to turn down the opportunity. Built on the massive expanse of an historic reserve better known for its old gun emplacements and tunnels, Stony Batter is less a winery than a all-encompassing agricultural project that covers a rather large percentage of the northeastern quadrant of the island, a project unlike any other on Waiheke. The owner, apparently an unimaginably wealthy gent, has an obvious desire for privacy (the entrance to the reserve is blocked by a forbidding gate, though through apparent negotiation hikers are once more allowed on the property as long as they don’t touch, look at, smell or otherwise offend the vines), but has equally obviously spared no expense in covering the area with a crazy-quilt of experimental vineyards.

(Continued here…)

Whites only (New Zealand, pt. 7)

Ask not what your winery can do for you…

The aquamarine rippling of the Hauraki Gulf throws shadows and highlights onto the trees below us. A breeze gently ruffles the leaves, then stills, freshening the quiet air but leaving nothing but memory in its wake. I hold up my glass of sauvignon blanc, which shines bright and clear in the sunlight, and take a deep, luxurious sniff. All is right with the world.

Though not quite as much is right with the wines.

We’re on the patio at Kennedy Point, looking down a rather precipitous cliff to the ocean, and working through a tasting conducted by a friendly young Californian. But after the sauvignon blanc, I’m afraid it’s all as downhill as the below-patio slope.

(Continued here…)