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rhône

Dead-blogging: Viret 1999 Côtes-du-Rhône-Villages Saint-Maurice “Maréotis”

[winery interior]Clos du Paradis “Domaine Viret” 1999 Côtes-du-Rhône-Villages Saint-Maurice “Maréotis” (Rhône) – It’s never easy to decide when to open a bottle of ageable wine. It’s even less easy when the wine has little track record and even fewer peers. Even for the winemaker, questions of ageability are rarely more than an educated guess.

So it’s with a bit of trepidation that I open this bottle, hand-carried from the winery back in 2001. It was an intriguing visit for a number of reasons. First was the domaine’s singularity, as it was at the time (and may still be) the only grower-producer in the appellation, the rest of the production of which is provided by cooperatives. I tasted a few of those, and they were fine in an anonymous but flavorful generic Rhône-ish fashion, but Viret’s wines were an entirely different matter: highly ambitious, if not always – at that very early date – completely focused.

But the second reason was even more compelling: the winery’s wholesale investment with a philosophy known as cosmoculture, a practice tailor-made for those who think biodynamism is a little too conventional. I spent a lot of time tasting wine, but even more listening to lectures on circles of force and dowsing, examining the alignment of Stonehenge-like monuments in the vineyard, and marveling at the cathedral – a fairly literal one – constructed to serve as the winemaking facility. And while the Virets were both very nice and extremely sincere, I spent much of my time vacillating between wondering if they were completely nuts, and marveling at the qualitative triple-jump their wines achieved vis-à-vis the cooperatives’ versions. Ultimately, I decided that it didn’t really matter if they were nuts or not. The wines spoke for themselves.

Anyway, enough background. What about the wine? It’s a grenache-syrah blend (more of the former than the latter) from grapes that have undergone a little passérilage (desiccation) on the vine, made and matured in a mix of cask and stainless steel. At the time, these vines were barely over a decade old, and my original note expressed concern that too much might have been asked of these very young vines.

That fear hasn’t been realized, and the wine is aging better than I would have guessed. It’s powerful right from the start, and heavy, but not so weighted-down that it’s imbalanced or ponderous. Aromas are classic if one imagines a blend of Southern and Northern Rhône characteristics (given that there’s no modern basis for Saint-Maurice typicity on which to judge this wine): meat, leather, Provençal herbs, dark soil, underbrush, sun-leathered dark fruit that has lost its “fruit,” and so forth. As the wine airs, more and more smoked meat emerges.

Texturally, it presses against the palate without being overly oppressive, in waves of leather than alternate between an animalistic fuzz and a harder, more mineralized expression. There’s still quite a bit of tannin (though it’s supple and fully ripened), and just enough acidity to hold everything together, but not a hint of intrusive alcohol anywhere. Structurally, every indication is that this wine is just past the midpoint of its evolution, with nothing but excellent prospects for the future.

I wonder, though. The “fruit,” if one can call it that in wines of this type, seems a lot more resolved than the structure. I’ve no fears that this will decline anytime soon…even if it is mature, the plateau is going to be exceedingly long…but I think a strong argument could be made that it’s not going to get better in the future, though there will certainly be changes. (In fact, I appear to be making such an argument.) Given its current makeup, I’d expect more soy and old meat as the structure recedes, but also more angularity from that structure, which would disjoint the wine somewhat. But please note that I’ve been wrong about this wine’s future before, and might be again in this instance. It makes a very compelling argument for itself, in any case, and whether or not it requires more time to develop that argument may be no more than minor quibbling at this point.

The wine changes little over the course of the evening, aside from an escalating appeal for vinous carnivores, and traces left at room temperature and unprotected from oxygen for a full day are still quite drinkable, albeit much less interesting than the previous day’s liquid. I serve it with pork from the grill, dry-rubbed with alder-smoked salt and smoked paprika (among other, less important spices), and somewhat further smoked by the addition of rehydrated chipotles to the coals during the grilling. The match is just about perfect, though I think any low-acid style of barbecued cow or pig would find favor with the wine…and conventionally grilled meats would hardly be amiss, either. (4/09)

A Peyrouses is a Peyrouses

[label]Voge 2006 Côtes-du-Rhône “Les Peyrouses” (Rhône) – Cornas without all that soft, easygoing gentility. Well, OK, actually not. It’s feral and twisted, bent and almost broken, but manages to cling to black’n’blue’purple, heavily-bruised fruit around the perimeter, just hanging on as the bottom falls out of the center. Structurally angry. Sadomasochistic wine; there’s pleasure to be had, and you’ll remember it later, but there may be some consequences. (4/09)

Cornas game hen

Clape 1990 Cornas (Rhône) – Smoked beef, licorice. Hard and edgy, yet with plenty of complex elaborations around the perimeter; baroque in design, maybe, but a more rough-hewn country interpretation than the overly-precious, cherubic norm. Mature? It’s hard to say, but probably not. Time and time again, in the company of Rhônes (and Rhônish cousins) of greater alleged repute, the Cornas outperforms them all. There’s a lesson there, but – alas – one I should have learned back when the wines weren’t eyeing triple-digit prices with only a minor tilt of the head. (3/09)

Bosquet of flowers

Boiron “Bosquet des Papes” 1999 Châteauneuf-du-Pape (Rhône) – Smoked bacon liqueur (aside: why hasn’t anyone made such a thing? I’d buy it). Porcine. Pretty straightforward aged CdP; this might have an upside, and it certainly doesn’t seem to be weakening in any way, but right now it’s a rather large but uncomplex portion of the pig. That’s never bad. (3/09)

Guy

Jasmin 1996 Côte-Rôtie (Rhône) – Very tight and strappy. Hard. Thyme (maybe?), but muted. Corked? The last bottle was. We check back on it later, and the matter’s still undecided, so who knows? This is the opposite of fun. (3/09)

Ricky

Texier 2001 Côtes-du-Rhône-Villages St-Gervais (Rhône) – Dead, with minor oxidation. Synthetic cork strikes again. (3/09)

Not a man, not a Plan

Costières & Soleil “Sélectionné par Laurence Féraud” 2005 “Plan Pégau” Vin de Table (Rhône) – Muted at opening, then delivering a slow, slow, so slow process of cabernet-ization; by the end of the bottle, it would be the sheerest luck to identify the wine’s Rhônish origins. That’s not a bad thing – it’s a vin de table for a reason, after all – but what isn’t quite so good is the way the wine never rises above tediousness, albeit a tedium delivered via sledgehammer. Every single bottle of this wine has been worse than the last one. (3/09)

Star Tours

[label]Reynaud “Château des Tours” 1998 Vacqueyras “Réserve” (Rhône) – Open several days, with a few glasses absent by the time I get to it. Darkly concentrated blackberry and even darker smoke liqueur, with a counterpoint of walnut soda. Open-ended, by which I mean the initial impression of fruit does a reverse dovetail and leaves an ever-increasing gap as the wine progresses towards the finish. A fruit microbomb, not sophisticated in the least, but not truly explosive either. Freshly-opened bottles have been impenetrable, and given the state of this wine I see absolutely no reason to open any more at this stage. (2/09)