Triacca 2007 Valtellina Superiore Sassella (Lombardy) – Razor-slashed violets and carnivorous wild berries. Yet despite the implied violence, this is a fairly restrained Valtellina…tame, even…which has both good and bad sides. The good, of course, is that it’s much more approachable for the Valtellina-suspicious. The bad is that its cultists may find this not Valtellina-ish enough. Neither suspicious nor a cultist, I find the wine quite pleasant and very amenable to food. (8/11)
Browse Tag
italy
Sölva problem
Sölva & Söhne “Belldès” 2008 Vernatsch (Alto Adige) – Seductive violet fruit, fine-grained minerality with more than a touch of graphite, and juiciness. Verve-acious, to coin a term. I love this. (8/11)
(Don’t) lay down Torselli
Torselli 2003 VinSanto del Chianti Classico (Tuscany) – 50 cl. I don’t, as a rule, drink much vin santo these days, and thinking about it for a while I realized that it was because so much of what I tasted was sort of tedious. Not bad, just much less interesting than sweet wines from elsewhere. Here, though, that tedium is coupled with another problem: the vintage, which tended to render sweet wines a little flabby and vapid. This is the case here. Sweet gold fruit, hacked off at the edges and without much of a start or finish. (8/11)
Preserving elli
Bera 2006 Canelli “Arcese” (Piedmont) – “It’s cider!” remarks one dinner guest. Well, yes, in a way; anti-naturalistas will point and complain. And it’s true that it’s not very much like what it used to be. But lingering memories of muscat and a reminiscence of something that was almost, but not quite, sparkling do still mark the wine. What marks it more, at the moment, is a skin-bitterness that I think helps along the sensation of apple-derivation. All that said, the basic “problem” is mostly just that it rewards being held this long in odd and difficult ways, and it’s probably better to drink it earlier. (8/11)
The little major
Le Piane 2009 Colline Novaresi “la maggiorina” (Piedmont) – On day one, the “red “riesling” identity of its youth is gone, replaced by a difficult, gauzy, structure-dominated acceleration of dark-toned fruit. Day two brings more familiar elements, dustier tannin, alpine flowers, and sharper acidity. So it depends on what one wants from the wine, I guess: day one, or day two. (8/11)
COS & effect
COS 2008 Frappato (Sicily) – My hand-in-your-wine-geek-card secret is that, bottle for bottle, I prefer this to the middle initial’s neice’s frappato, due to a more developed and complex character and far fewer problems with brettanomyces and/or volatility. I think there’s more upside potential in Arianna’s wine, but it’s not realized consistently enough (and I should note that I’m speaking only of the frappato here, not the range). As for this version, black raspberry and boysenberry snap crackles with energy without bursting beyond its boundaries. There’s dusty black earth with gentler grey tones and a long, welcoming finish. An assured wine. (8/11)
Richard Crena
Punta Crena 2008 Riviera Ligure di Ponente Vigneto Isasco Vermentino (Liguria) – Delicious. Simultaneously arboreal and saline, with a sizzle of structure helixed with minerality. This is a wine that’s both fun and an intellectual pleasure. (8/11)
Nova
Bianco Aldo 2008 Langhe Nebbiolo (Piedmont) – Dark fruit, with tannin and some acidity in place, but also with a sticky, coffee-like residue that detracts. Awkward and generally insignificant. (7/11)
M-m-m-my Shardana
Santadi 2004 Valli di Porto Pino “Shardana” (Sardinia) – I very well know, through experience, that Sardinia’s reds can be on the burly side, and yet somehow I’m perpetually surprised when I get an especially gravitic one. I shouldn’t be, anymore. This is black-hearted fruit with tiny shots of espresso and charred rosemary, and though there’s a diagonal rinse of strong acidity it’s not enough to make the wine anything other than heavy. Needs the right food. (7/11)
Communion
Cantine Valpane 2009 Barbera del Monferrato “Rosso Pietro” (Piedmont) – Smells stenchy, like it’s been cooped up too long without a good cleansing, and a little reduced as well. All of which portends ill. But the palate is spectacular in comparison, dark and toothsome fruit fired with acidity and built on a foundation of eroded rocks and fossils. As a result, the bottle’s gone so quickly that I don’t get a chance to see what happens to the aroma with some aeration. (7/11)