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Rhôneaway

[cairanne]Tasting notes from the Boston Wine Expo. Note the usual caveats about speed-tasting in boisterous environments, where mistakes are rampant and palate fatigue is a factor. These are brief impressions, not full examinations; the phraseology reflects these conditions.

Part 2: Rhône Valley (other than Châteauneuf-du-Pape)

( For the previous year’s notes, look here.)

Domaine Boisson 2006 Côtes-du-Rhône-Villages Cairanne Blanc “l’Exigence” (Rhône) – Roasted apricots from a can. Skeletal and strange. There’s no meat or skin on these bones. (2/08)

Lafond “Roc-Epine” 2007 Lirac Blanc (Rhône) – Banana marshmallow, some violet, leafy and floral. Pretty. (2/08)

Domaine Boisson 2006 Côtes-du-Rhône-Villages Cairanne Rosé (Rhône) – Fresh raspberry blossoms in sunshine. Clean and precise. Nice. (2/08)

Lafond “Roc-Epine” 2007 Tavel (Rhône) – Strawberry bubblegum, bones, and shells. Seems short, but grows with air. Not bad. (2/08)

“Le petit vin d’Avril” Vin de Table (Rhône) – Blueberry, gravel, leafy tobacco. Slightly underripe and tannic, but fair enough for the price. (2/08)

Pierre Usseglio 2006 Côtes-du-Rhône (Rhône) – Simple, nutty, and clean. Bubblegum-dominated fruit. Medium-bodied. Decent. (2/08)

Boiron “Domaine Nicholas Boiron” 2006 Côtes-du-Rhône (Rhône) – Peppery, burnt fruit. Very full-bodied, but what it’s full of isn’t very good. (2/08)

Olivier Hillaire 2006 Côtes-du-Rhône “Vieilles Vignes” (Rhône) – Walnut and sour dill. Ick. (2/08)

Lafond “Roc-Epine” 2007 Côtes-du-Rhône (Rhône) – Burnt bark, light bubblegum, some blackberry. Good fruit, soft and pure, with improvement on the finish, but that initial impression of char is unpleasant. (2/08)

Domaine Boisson 2006 Côtes-du-Rhône (Rhône) – Shoe polish, blueberry, and freshly-stripped bark. Abrupt. (2/08)

Chaussy “Mas de Boislauzon” 2006 Côtes-du-Rhône-Villages (Rhône) – Full, lush, and juicy. Dark, smoky fruit. Meat emerges on the finish. Quite good. (2/08)

[tavel]Domaine Boisson 2006 Côtes-du-Rhône-Villages Cairanne (Rhône) – Big red plum and some juiciness. Crisp for a southern Rhône. Short, though. (2/08)

Domaine Boisson 2006 Côtes-du-Rhône-Villages Massif d’Uchaux “Clos de la Brussière” (Rhône) – Big. Meaty but clean, with plums and blackberries present. Graphite-textured structure. Long and solid, though it sheds a bit of complexity on the finish. Impressive and ageable, though not quite up to its initial promise. (2/08)

Domaine Boisson 2006 Côtes-du-Rhône-Villages Cairanne “l’Exigence” (Rhône) – Some alcohol, but otherwise the noseis tight. The palate, on the other hand, is fairly explosive, with huge, dark fruit, brown earth, tar, and milk chocolate. Dense as hell. The finish is equally massive, though the burn reemerges. Good, but also one to be wary of. (2/08)

Alain Boisson “Domaine Cros de Romet” 2006 Côtes-du-Rhône-Villages Cairanne (Rhône) – A big, chewy herb fest: thyme, rosemary, etc. Very tannic. This will live for a long time on its structure, though whether it will ever show anything interesting is an open question. My guess: it won’t. (2/08)

Lafond “Roc-Epine” 2005 Lirac (Rhône) – Strawberry and anise. Very, very simple. Light structure, if any, at this point. (2/08)

Lafond 2005 Lirac “La Ferme Romaine” (Rhône) – Balanced. Bubblegum fruit and walnut with darker tones. Chewy. Some heat. Pretty good, nonetheless. (2/08)

Faraud “Domaine Cabassole” 2004 Vacqueyras “Vieilles Vignes” (Rhône) – Meat and crushed granite. Dense, tough. Unyielding and not much fun to drink. (2/08)

Stehelin 2005 Gigondas (Rhône) – Big and generous, with meaty, dark cherry fruit. Long and very tannic, but the structure only compliments the wine, which is a top-quality monster. Needs endless time, I think, but it should be a beauty someday. (2/08)

Guigal 2001 Hermitage (Rhône) – Dill and sour fruit. Weird. Good structure, but this is either completely off the map or closed in a very, very strange way. (2/08)

Mom & Pape

[vineyard]Tasting notes from the Boston Wine Expo. Note the usual caveats about speed-tasting in boisterous environments, where mistakes are rampant and palate fatigue is a factor. These are brief impressions, not full examinations; the phraseology reflects these conditions.

Part 1: Châteauneuf-du-Pape

(All wines are red unless otherwise noted. Further, all 2006 reds are barrel, pre-bottling, or pre-release samples. For the previous year’s notes, look here.)

Michel “Le Vieux Donjon” 2007 Châteauneuf-du-Pape Blanc (Rhône) – Beautiful. Nuts, stones, and spice. Richly fruited. A white-out of flavor. Long, with good acidity. Really excellent. (2/08)

Avril “Clos des Papes” 2006 Châteauneuf-du-Pape Blanc (Rhône) – Malted. Twisted, gnarled bones and stones. Higher-toned, showing some anise-heavy licorice. Interesting and complex. (2/08)

Moulin-Tacussel 2007 Châteauneuf-du-Pape Blanc (Rhône) – Banana skin, papaya, and pineapple. Simple and angular, with a medium-weight finish. (2/08)

Baron Le Roy de Boisenaumarié “Château Fortia” 2006 Châteauneuf-du-Pape Blanc (Rhône) – Flat-fronted. Tropical fruit with crisp acidity. Closes quickly despite initial freshness. (2/08)

Pierre Usseglio 2006 Châteauneuf-du-Pape (Rhône) – Big and modern. Toughens on the finish. Peanuts and sticky fruit. This cuvée has, for me, turned an unpleasant corner of late. (2/08)

Pierre Usseglio 2006 Châteauneuf-du-Pape “Cuvée de mon Aïeul” (Rhône) – Spice, blueberries, flowers. Exciting and long. There’s “more” to this wine, and thus it handles its nods towards modernity better than the normale. (2/08)

Michel “Le Vieux Donjon” 2006 Châteauneuf-du-Pape (Rhône) – Gorgeous. Full-throated. Meat and herbs. Very tannic now, but the balance is terrific, and this has massive potential. (2/08)

Moulin-Tacussel 2006 Châteauneuf-du-Pape “Tradition” (Rhône) – Medium-full, tannic, and juicy. Plummy, with good acidity. Tannic. This is better than usual, and in fact I thought this house did better in 2005 as well; are things changing here? (2/08)

Moulin-Tacussel 2006 Châteauneuf-du-Pape “Hommage à Henry Tacussel” (Rhône) – Chocolate, orange peel, and minerality. Thick and tannic. Far too dense to taste now, though based on the preliminary evidence I’m suspicious of the results. (2/08)

Boiron “Bosquet des Papes” 2006 Châteauneuf-du-Pape “Cuvée Tradition” (Rhône) – Herbed bubblegum. Full and fruity, with a medium-length finish. Mostly balanced, though there’s a snippet of heat late in the game. Good. (2/08)

Boiron “Bosquet des Papes” 2006 Châteauneuf-du-Pape “Chante le Merle Vieilles Vignes” (Rhône) – Big structure. Herbs, plum, lavender, bubblegum. Structured and balanced. Impressive. (2/08)

Olivier Hillaire 2006 Châteauneuf-du-Pape (Rhône) – Cylindrical. Metallic and a bit harsh, with alcohol showing throughout. (2/08)

Olivier Hillaire 2006 Châteauneuf-du-Pape “Les Petits Pieds d’Armand” (Rhône) – Peanut butter and jelly on toast. Very juicy fruit. Chocolate-covered cherries. Acid is prominent but well-integrated. Long finish. Upfront and promising, though not very traditional. (2/08)

Olivier Hillaire 2006 Châteauneuf-du-Pape (Rhône) – Walnut and sour dill. No good. (2/08)

Lafond “Roc-Epine”2006 Châteauneuf-du-Pape (Rhône) – Balanced. Bubblegum fruit with darker tones, plus walnut and other nuts. Chewy. Some heat on the finish, but a better-than-usual effort from this perennially-underperforming house. (2/08)

Baron Le Roy de Boisenaumarié “Château Fortia” 2006 Châteauneuf-du-Pape “Tradition” (Rhône) – Good balance, quite traditional. Herbs in a light brown tone. Fine tannin and acidity. Fun and pure, though not at the top level. (2/08)

Baron Le Roy de Boisenaumarié “Château Fortia” 2006 Châteauneuf-du-Pape “Cuvée du Baron” (Rhône) – Pure. Red and pink fruit, bubblegum, with more structure (especially tannin) but less fun. Shaped like a diminuendo symbol. (2/08)

Baron Le Roy de Boisenaumarié “Château Fortia” 2006 Châteauneuf-du-Pape “Réserve” (Rhône) – A syrah-dominated cuvée. Pepper dust, leather, and blueberry. Full and tannic. Very interesting, though it does stand out amongst grenache-heavy company. (2/08)

[cdp vine]Courtil-Thibaut “Clos des Brusquières” 2006 Châteauneuf-du-Pape (Rhône) – Peanuts and bubblegum. Oddly synthetic. Very simple. (2/08)

Laget-Royer “Domaine Pontifical” 2006 Châteauneuf-du-Pape (Rhône) – Lovely nose. Full and spicy. Structured. Under the enticement, however, there’s not a great deal of substance. (2/08)

Diffonty “Cuvée du Vatican” 2006 Châteauneuf-du-Pape (Rhône) – Tight, over-structured, tough, and short. (2/08)

Diffonty “Cuvée du Vatican” 2006 Châteauneuf-du-Pape “Réserve Sixtine” (Rhône) – Big and chocolate-infused. Too tannic. Biting chunks of structure. There’s some stuff underneath, I think, but it’s really far too early to tell for sure. Essentially, I think this is over-extracted. (2/08)

Mestre “Domaine de La Côte de l’Ange” 2006 Châteauneuf-du-Pape (Rhône) – Medium-fruity. Plum, bubblegum, and thyme. Soft and almost pretty, perhaps even verging on fluff. It’s fun, though. (2/08)

Mestre “Domaine de La Côte de l’Ange” 2006 Châteauneuf-du-Pape “Vieilles Vignes” (Rhône) – Fuller and more structured than the normale, but still balanced. Some sour peanuts on the finish. (2/08)

Chaussy “Mas de Boislauzon” 2006 Châteauneuf-du-Pape (Rhône) – Thick and forward. Chocolate, fruit, herbs in the background. Dense and structured, but reasonably balanced. Turns linear on the finish. (2/08)

Chaussy “Mas de Boislauzon” 2006 Châteauneuf-du-Pape “Quet” (Rhône) – Excellent balance in a warm, spicy, milk chocolate style, which not everyone will or should appreciate. There’s a bit of heat. This is very well done, but it would be difficult to call it CdP. (2/08)

Chaussy “Mas de Boislauzon” 2006 Châteauneuf-du-Pape “Tintot Spécial Cuvée” (Rhône) – 100% old-vine mourvèdre. Earthy, big and lush. Mouthfilling. Dark and brooding, showing nuts and chocolate. Long and balanced. This has excellent aging potential.

Château La Nerthe 1999 Châteauneuf-du-Pape (Rhône) – Dill and huge acidity. A gross perversion of Châteauneuf-du-Pape. Yuck, yuck, yuck. (2/08)

Coulon “Boisrenard” 2004 Châteauneuf-du-Pape (Rhône) – Thick with herbs (dominated by lavender and mint). Dense and solid – perhaps overly concentrated – with meat and garrigue ascendant. Good, but it would be better if it took its foot off the accelerator. (2/08)

Donjon-son & Philip Michael Thomas

Michel “Le Vieux Donjon” 2007 Châteauneuf-du-Pape Blanc (Rhône) – Beautiful. Nuts, stones, and spice. Richly fruited. A white-out of flavor. Long, with good acidity. Really excellent. (2/08)

Are you staying Fortia?

Baron Le Roy de Boisenaumarié “Château Fortia” 2006 Châteauneuf-du-Pape Blanc (Rhône) – Flat-fronted. Tropical fruit with crisp acidity. Closes quickly despite initial freshness. (2/08)

Praise

Please note that employers and titles below were correct when received; some of these people have since moved on.

I read your column with regularity and just wanted to pipe in and let you know that it’s among the most readable and unassuming writing about wine out there. I really respect what it is you try to do. Keep up the good work.

Jason Christian, Harvard University Press

 

Perhaps the rarest find in the whole world of wine is not that bottle of Screaming Eagle, Colgin or rare Montrachet. The rarest of all things is a truly fresh and intriguing voice from the world of wine writers. Thor Iverson, writing for the Uncorked section of the Boston Phoenix, is just such a voice. Independent, vigorous, and informed…Iverson is able to combine a sharp wit and an obvious depth of knowledge with a rich writing style. This is a rare talent. It reminds this writer of the work of the unparalleled Gerald Asher in Gourmet, but with more street sense. He also is able to communicate his wonder at the complexity of wine.

Over the past 10 years, I’ve made understanding the American wine press an important part of my occupation. I’ve read the work of nearly everyone in the country who fancies themselves wine writers. There are many good ones, a slew of average writers, a few very bad ones, and the occasional outstanding writer. Thor Iverson is the latter. Run, don’t walk, to his words.

Tom Wark, Director of Content, Winebid.com

 

You describe the art of enjoying wine in such a profound and philosophical manner that you elevated the simple idea of enjoying a glass of wine to a virtual art. To me the way you describe about tasting a wine is like trying to understand a Zen koan. It’s just not a search for an instant physical satisfaction but, more importantly, it’s trying to make a connection with the wine maker, the fruit, the growing conditions and it’s location.

Trung Nguyen, reader

 

One of the most witty and literate wine writers I know, Thor could teach us all how to write about wine

Robin Garr, Pulitzer Prize-winning journalist, wine writer & creator of
The Wine Lovers’ Page, the largest wine-related site on the Web

 

Glad to see you have your NZ notes up on a website. They are nothing short of spectacular. I have never read any travel/ wine review in any format, anywhere, at any time that is as well put together as yours.

Craig Thomson, Kiwi Wine Fan Club

 

I just read through the interview and my complements to you for a great job! Very thorough and informative plus the ‘real’ Gina Gallo shows through.

Carmen J. Castorina, Director of Communications, E. & J. Gallo Winery

 

I read your interview of Véronique Drouhin with great interest. You really got some wonderful details and insights about her life, her family and herself. You are a great interviewer!

Patrick Séré, Director, Dreyfus, Ashby & Co.

 

Just wanted to commend you on the article you wrote this week. I found it fair and balanced and not placating to anyone. Very refreshing!

Dan Boissonnault, University Wine Shop, Cambridge, MA

 

I’ve read your column over the past few years whenever we’ve visited and find your commentary spot on…a rarity in the wine press at all levels really.

Rob Forman, Regional Salesperson, Winebow

 

I feel compelled to put it on the record that you have consistently elevated the level of oenophilic education in your Phoenix column.

John Simon, reader

 

I enjoy your column. Since I get to see most of what’s written about wine, I know for sure that actually writing about wine is both far more interesting and more reader service than anything else.

Jim Caudill, VP Public Relations, Kendall-Jackson Winery

 

My other reason for writing is to offer some long-overdue praise for the consistently high quality of your writing. What most especially sticks in my mind is the column you wrote last year about the issues of professional ethics encountered by a wine journalist. It’s easily the best piece I’ve ever read on the subject — which, it must be confessed, is not one of the most popular and frequently discussed topics in the wine media. Even so, it was a refreshingly lucid and thoughtful essay, above your normally high standard, and I’m pleased I finally stumbled into an occasion to express my appreciation.

John J. Simon, reader

 

Anyway, I wanted to say that all of your archived articles are really nicely written — so friendly, so personal — they’re great; and they address issues that folks who like wine but don’t have much knowledge of often wonder about but usually never bother asking.

Colleen McKinney, Food & Wine Books

 

I started picking up the Phoenix again when your column started running there. It was and remains the best wine read in the Boston area.

Eden Stone, wine educator

 

I read your article ‘Buying wine by the back label’ and I want to thank you for it. I am an importer, and although I only distribute my wines in the Midwest, I welcome your opinion and its availability on the Internet. You have provided some credibility to something I tell my customers.

Ron Spears, President, Grape News Importing, Ltd.

 

I appreciate your Uncorked columns when I see them. Nice to see signs of intelligent life here and there.

Gerald Weisl, Weimax Wines & Spirits, Burlingame, CA

 

Word of your article on the Veneto rapidly reached me here in our home office. Your kind words about our wines and your attention to detail are much appreciated.

Lara Zahaba, Director of Public Relations, Winebow

 

As someone who has been following Thor’s columns since they began appearing in the Phoenix, I’d just like to add my own voice to the rest. I was quite impressed with his first few articles, which contrasted dramatically (in a very good way) with the work of the other wine writers in the local papers. I still think that his first few columns offer an excellent introduction to wine, and recommend them to beginners as a good overview.

Marcel Lachenmann, reader

 

Thanks again for the great writing, I continue to enjoy reading your articles.

Lisa Anderson, marketing representative, Corus Brands

 

I have been reading the Uncorked articles and wanted to let you know how much I enjoy your writing. I have found the articles very informative and easy reading with great information on wines. In fact, I found your site from a link only two months ago. I have since read every article in the archives.

Michael D. Hurst, reader

 

What a pleasure to have good wine writing in a local newspaper…not a common thing.

Doug Metz, managing director, Wine & Spirits Wholesalers of America

 

Thank you so very much for your brilliant wine tasting class. I really really enjoyed it; it actually made not only my Thursdays but my everyday life so happy – full of expectation.

Youngjeen Cho, student

Wrinkles

La Purísima 2006 Yecla “Old Hands” (Levant) – Simple baked fruit, dark berries, dark chocolate, and an underripe, papery finish. 2/3 of a chuggable wine, but the finish renders it useless. (10/07)

La Purísima 2006 Yecla “Organic” (Levant) – As the name suggests, organic. Mixed chocolate powders, freshly-ground nutmeg, hints of other spices, and a sort, squinty finish. What’s the point? This is like drinking a Penzey’s catalog. (10/07)

Murcia, Murcia me

[old vines]A tasting of the wines of Murcia in Southeastern Spain. That means monastrell (mourvèdre), and lots of it. I go into such a tasting with trepidation, because while Spain’s historical precedence with the grape has to be acknowledged, I’ve tasted very few that I’ve liked. Whatever terroir or clonal differences may or may not apply, I’ve always preferred the versions from across the Pyrenées. So I guess we’ll see how it goes.

Pedro Luis Martinez “Alceño” 2005 Jumilla Monastrell (Levant) – 85% monastrell, 15% syrah. Hot, showing blackberry, licorice, raw coffee bean, and bitter chocolate, with a layering-on of toast and more chocolate on the finish. The finish is dominated by coffee in both bitter/burnt and raw/green forms. Pretty nasty. (10/07)

Pedro Luis Martinez “Alceño” 2004 Jumilla “Selección” (Levant) – 50% monastrell, 40% syrah, 10% tempranillo. Even more charred than the previous bottling. Fuller-bodied, chocolaty, and over-toasted, with a green finish. Lousy. (10/07)

Pedro Luis Martinez “Alceño” 2004 Jumilla Syrah (Levant) – 85% syrah, 15% monastrell. Violets and espresso, with a thick, plastic-wrapped and blueberry-flavored coffee finish. Absolutely synthetic-tasting; a horror-show of unfruit™. (10/07)

Pedro Luis Martinez “Alceño” 2004 Jumilla Monastrell “Dulce” (Levant) – From 375 ml, 100% monastrell. Highly concentrated plum, blueberry, and black cherry syrups, with chocolate and a brief shower of herbs. Very, very sweet – not PX level – with a light rancio note to the finish. Anonymous, but reasonably pretty. (10/07)

The only wine I’d even consider here is the Dulce, and even then there are a lot of dessert wines I like more. The rest are…regrettable.

[vineyard]Finca Omblancas 2004 Jumilla “Delaín” (Levant) – 70% monastrell, 20% cabernet sauvignon, 10% syrah. Charred cherry, black and blue fruit – obvious and darkly attractive – but turning into the very definition of “dead fruit” on the palate. Gets increasingly tarry as it airs, with biting tannin. No good. (10/07)

Finca Omblancas 2004 Jumilla “Denuño” Monastrell (Levant) – 90% monastrell, 10% cabernet sauvignon. Green and red bell pepper forced into an arranged marriage with thick blueberry and oak. Very, very dry. At least this has some character, off-putting though it may be. (10/07)

Finca Omblancas 2004 Jumilla “Denuño” Cabernet Sauvignon (Levant) – 100% cabernet sauvignon. Peppery with hints of tobacco, a healthy dusting of black pepper, and a candied tar finish. Momentary promise is thus destroyed at the conclusion. (10/07)

Finca Omblancas 2003 Jumilla “Omblancas Selección Especial” (Levant) – 85% monastrell, 15% cabernet sauvignon. Roasted walnut, cocoa, earth, and spice with an unpleasant intrusion of dill. There’s chocolate here, too. This is the roundest and fullest wine yet, with some actual generosity – but let’s not overstate; it’s still doing its best to put me off with that dill – and a breezy, leafy finish that inexplicably turns into drinkable goat cheese. What the hell? (10/07)

While nothing here is particularly appealing, these wines are at least bad in recognizable ways. Well, except for that goat cheese…

[monastrell]Bleda “Castello de Jumilla” 2004 Jumilla “Crianza” (Levant) – 90% monastrell, 10% tempranillo. Freshly-stripped tree bark, moldering fall leaves in a slightly humid breeze, but otherwise fairly hollow on the nose. The palate shows dark, charred soil and pepper dust. The wine starts balanced, but it’s impossible to tell if this continues as the wine simply vanishes on the finish. Poof! It’s gone! (10/07)

Bleda “Divus” 2004 Jumilla Monastrell (Levant) – 95% monastrell, 5% merlot. Polished and fruity, with good, chewy berries a bit lacerated by herbal, weedy notes. There’s a lot of earth, though, and hen-of-the-woods mushroom as well. Good acidity. Long and fairly zingy on the finish. This is actually quite drinkable, though I’d keep a close eye on those weeds. (10/07)

Bleda “Castello de Jumilla” 2001 Jumilla “Reserva” (Levant) – 90% monastrell, 10% tempranillo. Big, nutty, milk chocolate and sweet tea with a fat underbelly of blackberry and boysenberry, plus a little hint of verbena. Good acidity, slightly green tannin. Decent all around. (10/07)

Bleda “Castello de Jumilla” 2006 Jumilla Monastrell (Levant) – 100% monastrell. Raw fruit and some pepper (both bell and seed), with huge clods of earth, sour dill, and a spiky, agitated aspect. The finish is puckery. I don’t like it, but it seems honest and forthright. (10/07)

Well, well, well. Actual wines. Who knew? With acidity and everything!

[label]Casa de la Ermita “Monasterio de Santa Ana” 2005 Jumilla Monastrell (Levant) – 100% old-vine monastrell. Served too cold, even were it a crisp white (which it most definitely is not). All I can access are a difficult nose and a palate full of weeds, herbs, and peppers. But the wine is so frigid I can’t stand around, cupping it in my palms, long enough to draw anything else forth, and when I return later for a retaste, the wine is once more bathing in ice. Thus, consider this anti-rave highly conditional. (10/07)

Casa de la Ermita 2006 Jumilla Viognier (Levant) – 100% viognier. God, what a relief it is to taste a white after all these brutal reds. As such, I might be slightly more favorably-inclined towards this wine than it deserves. Anyway, there’s a big, almost lurid quality to the wine, but it nicely dances away from the edge of soup, showing honeysuckle and fruit salad with a dry minerality at its core. Good acidity persists a little too long, watering down the limey finish, which tightens up more than I’d like. Still, I have to admit that given a choice between this and a goopy, oaky, overwrought Condrieu (like Cuilleron), I’d take this in a heartbeat. (10/07)

Casa de la Ermita 2003 Jumilla “Crianza” (Levant) – Old-vine monastrell, tempranillo, cabernet sauvignon, and petit verdot. Also served too cold, but this time not so frigid that I’m unable to coax out a few suggestions of character. Shy and somewhat elegant – words you don’t read about monastrell-based wines very often – showing some bitter chocolate, French roast coffee beans, tightly puckery cranberries, and good acidity. The tannin is shaded slightly green. Some nice ideas here, but the wine is incomplete. Again, see above, re: serving temperature, making this yet another conditional note. (10/07)

Casa de la Ermita 2003 Jumilla Petit Verdot (Levant) – 100% petit verdot…and isn’t varietal petit verdot from Jumilla what a jaded wine world has been clamoring for? There’s a prickle of sulfur on the nose, but it blows off fairly quickly, exposing some sort of breakfast cereal with dried blueberries and a dusty, chalky texture. Austere and extremely arid. I haven’t tasted a lot of petit verdot on its own (and what I’ve tasted has almost exclusively come from barrels prior to blending), but this seems to represent the generally incomplete nature of the variety with which I’m slightly familiar. So how do I judge it? As varietal petit verdot, it seems successful…an interesting intellectual exercise, though lacking any sense of fun. As a wine, however, the lack of fun becomes the majority report. I’d like to try this from a less extreme vintage, though I have no idea if it would make a difference; for all I know, it would exacerbate the problems. (10/07)

This is a producer with which I’m familiar, at least to an extent, so it’s interesting to see the wines in a greater regional context. As this is still a fairly young winery (some of the vineyards are six times the age of the estate), there’s obvious room for improvement…though of course, there’s also room for increasingly internationalized distortions. Or possibly both. The future will tell.

[sheep]Casa de las Especias 2006 Jumilla “Joven” (Levant) – 60% monastrell, 20% cabernet sauvignon, 20% syrah. Organic. Goofy, synthetic strawberry with a tiny tannic bite. Otherwise, soft, short, and indifferent. (10/07)

Casa de las Especias 2004 Yecla “Crianza” (Levant) – 40% monastrell, 25% cabernet sauvignon, 25% syrah. Organic. Goofy strawberry of a darker hue, mint syrup, and red licorice. A faint suggestion of earth. Turns fairly supple on the finish. Still, it’s mostly too late. (10/07)

Eh.

Valle de Salinas 2005 Yecla Roble (Levant) – 60% monastrell, 20% tempranillo, 20% syrah. Chocolate-draped orange candy, herbal cough drop, and bitter coffee. There’s structure, but it too is herbal, and the chocolate morphs into a nasty sort of Hershey’s-style “dark chocolate” horror show on the finish. Avoid if you value your palate. (10/07)

Valle de Salinas 2005 Yecla “Joven” (Levant) – 60% monastrell, 20% merlot, 20% syrah. Dill and other herbs, shoe polish, tin, and awful stewed fruit. Perhaps the stewed fruit comes from a tin can. The metallic scrape of the wine on the palate does not, unfortunately, remove its own taste. Whatever…this is all too much thought for a wine this God-awful. (10/07)

Valle de Salinas 2004 Yecla “Crianza” (Levant) – 40% monastrell, 40% cabernet sauvignon, 20% syrah. Sour dill, dead cherry fruit syrup, corn starch, and synthetic vanilla. Nasty, nasty, nasty. (10/07)

These are some really horrible wines. I mean really horrible. I can’t even see the road forward here; they’re that bad.

[Yecla cupola]La Purísima “Valcorso” 2006 Yecla Monastrell (Levant) – Organic. Sour fruit, herbs, freshly-crushed cherries and raspberries with wildflowers. Fuller on the palate than many of these wines. There’s some deadening nastiness on the finish, but the wine is not entirely horrible. High praise, I know. (10/07)

La Purísima 2005 Yecla Monastrell “Barrica” (Levant) – Shy, spicy fruit and dark, chewy red fruit bark. Turns sour (but a good kind of sour) on the finish. Fairly long. Not bad. Not particularly good, but not bad. (10/07)

La Purísima 2006 Yecla “Old Hands” (Levant) – Simple baked fruit, dark berries, dark chocolate, and an underripe, papery finish. 2/3 of a chuggable wine, but the finish renders it useless. (10/07)

La Purísima 2006 Yecla “Organic” (Levant) – As the name suggests, organic. Mixed chocolate powders, freshly-ground nutmeg, hints of other spices, and a sort, squinty finish. What’s the point? This is like drinking a Penzey’s catalog. (10/07)

La Purísima “Trapío” 2004 Yecla Monastrell (Levant) – Sophisticated blueberry, grey earth, mushroom, and mixed meadow flowers form the nose. Lightly vegetal, but in a way that will only offend those with extreme Kermitophobia. Very big and fruity, with huge, juicy blackberries tumbling across the palate, plus a little chocolate. It coalesces into a package with a firm, tannic structure and dancing acidity. Long and balanced. Very good; probably the best red in this entire tasting. (10/07)

La Purísima 2003 “Enesencia” Yecla Monastrell “Dulce” (Levant) – Sweet bell pepper, plum, and tangy candy. Very crisp, and very odd. Is it repellent or fascinating? Quite possibly both. I have no idea what to think of this wine. (10/07)

…and we finish on what, contextually, passes for a high note. Reasonable work is being done at this house, though of course there’s unevenness to spare, and I’m still struggling to understand the paradigm of sweet monastrell.

[grapes]Overall, this is a pretty dismal tasting. I’d happily drink the viognier and the Divus, and I’d probably actually buy the Trapío in a pinch, but everything else ranges from indifferent to torturous. I have no idea what the problem is; that, in general, I wouldn’t like hot-climate monastrell is no surprise given my northern-oriented palate, but there’s a vast gulf between disliking a wine and thinking that it’s horribly made. Which, in regard to far too many bottles in this tasting, I do. In fact, the wines I gravitate towards are those with more fruit, which is the reverse of my usual preference; when bad, these wines seem to show all the signs of underripeness and extractive winemaking (though the latter may not even be necessary) without any of the compensating outsized fruit that usually accompanies such wines. That may just be a function of monastrell, which is no shrinking violet nor fruit bomb of a grape even in the best of circumstances, and certainly doesn’t lack for structure, but I have a hard time believing that better wines aren’t possible.

In any case, let the savage bilingual attacks on my parentage commence.

Sweet on Alsace

[grape-eating bear, Andlau]In the most recent issue of The Wine Advocate, critic David Schildknecht’s report on Alsace includes a typically long and thoughtful preface assessing the current “state of the region.” In it, he makes many points I’ve been making for years (as, I should note, has he), with a special emphasis on the growing problem of residual sugar:

No doubt the sweetness in much of today’s Alsace wine is to a significant extent a reaction to high grape sugar, and many of the factors driving this – a long streak of very ripe vintages; selectivity at harvest; changing fashions; and a tendency to perceive more-as-better when tasting wines as parts of large line-ups – are hardly unique to the region. But whatever the cause, as more than a few concerned growers reminded me, steering a course and striking a balance between alcohol and sugar is becoming an increasing challenge (often exacerbated by precarious acidity), one ultimately demanding a re-thinking of vineyard and cellar practices. And those too-many Alsace growers whose wines display deficiencies in extract on account of high yields lack a critical tool for buffering alcohol or burying sugar.

He then goes on to identify manifestations of this problem…not only in gewurztraminer and pinot gris, where they’re ubiquitous and exacerbated by the problems of escalating alcohol and declining acidity, but also in the previously-iconic riesling and muscat. The latter is especially dismaying, as there’s precious little dry muscat on the market these days, though admittedly there has never been much of an export market for it in any form.

To fans of the region’s wines, this is all well-trodden territory. But in his essay, Schildknecht edges up to a major but largely unspoken cause of this problem in a way few high-profile critics have done, yet turns away before drawing the inevitable and self-damning conclusion: it’s, at least in part, critics’ fault.

Yes, as he says, climate change has a significant role to play. Certainly freak vintages like 1997, 2000, and 2003 are more the norm than the exception these days, and sugar levels are up everywhere (not just in Alsace). And it’s important to acknowledge that improved viticulture’s effects can be a mixed blessing, as the more reliable, even ripening at a previously-underperforming property is paralleled by the temptation of ever-longer, sugar-elevating hangtimes at better domaines.

But when Schildknecht writes:

Are not the most profound wines of which these varieties are capable apt to be in the realm of selective picking, vendange tardive, and residual sweetness? One could make such an argument, and my ratings would support it. But such a conclusion by no means warrants sweetness throughout a grower’s range.

…he misses the bigger problem: ratings, as a rule and from the greater mass of critics, do reward sweetness throughout a grower’s range.

Schildknecht may be an exception to this rule, given his ratings thus far, but if so he’s a rare one. Who gets the majority of the highest ratings major critics give? Generally, wineries who produce powerful, rich, sweet, and often alcoholic wine. Even dry-preferring wineries are frequently rewarded for wines in which residual sugar is presented as an “unavoidable”1 alternative to Port-like alcohol in a dry-fermented wine. People can and do disagree on whether these wines are balanced or not2, but there’s dismayingly little disagreement among major critics about “better,” in Alsace, almost universally correlating with “sweeter.”

Given this critical climate, what’s a sensible, export-minded winemaker to do? Unless there’s a rock-solid reputation on which to trade (e.g. Trimbach), one possible answer is to do what the critics appear to want, and pump up the volume.

“Well,” some are no doubt already objecting, “don’t the critics just reflect what people actually like?” If so, why are Alsace wine sales in the States so stagnant? Why does Trimbach continue to dominate certain regions with their dry or barely off-dry wines while other excellent, but sweeter, wines languish on the shelves and in distributors’ warehouses? And why do the biggest exporters to other markets, other than the top names that can sell almost anywhere3, seem to be négociants and cooperatives whose wines are, yes, dryer than most? I don’t think it’s because the bulk of Trimbach’s products, which are the yellow-label négociant wines, are inherently better than their competitors; I wouldn’t say they were, though they’re of reliably fine quality. And above that level, which Alsatian wines most regularly appear on top restaurant lists? The highly austere “Cuvée Frédéric Émile” and Clos Ste-Hune Rieslings, the ultra-restrained “Réserve Personelle” Pinot Gris, and the increasingly unique “Cuvée des Seigneurs de Ribeaupierre” Gewurztraminer, much more than other fine grand cru4 wines from other producers. So it would, in fact, appear that critics are not reflecting popular taste…or if they are, they’re singularly unconvincing when it comes to these wines and this region.

The thing is, I don’t think they’re doing anything other than reflecting their own tastes. As, of course, they should be; their opinions, rather than some form of polling data, are what they sell. But when there’s a changing of the guard, as their has been at The Wine Advocate…from the sugar-loving (this is not a criticism) Robert Parker, though the sugar-appreciating-but-occasionally-suspicious Pierre Rovani, to the much more conflicted Schildknecht…the effect of years of the sugar=points equation is thrown into stark relief. Drinking the major names, these days, it can be very, very difficult to find anything that’s not overpoweringly sweet. This was not the case ten years ago, either, so one can see how quickly and completely this shift has occurred.

Will the paradigm swing back? Not soon, if ever. For one thing, many critics are still enamored of the more, more, more!!! style of winemaking, no matter which region is under review. For another, warming effects aren’t going away; in fifty years, the Furstentum may be more appropriate for syrah than it is for gewurztraminer. Now, maybe this will have a long-overdue positive effect on Alsatian pinot noir, but losing the wines that have actually made Alsace’s reputation would seem to be an astronomical price to pay for such an unheralded achievement.

1Of course, “events” like 2003 aside, it’s not entirely true that such results are unavoidable. The problem is that alcohol-reduction steps in the vineyard need to start long before a grower knows whether they have 1998 (a fine, balanced year) or 1997 (hot and sticky) on their hands, and by the time they have an inkling, it’s too late to do much. But there are still steps that can be taken, and some growers are starting to do them as a matter of course: picking earlier (or picking a portion of grapes earlier to preserve acidity for the final blend), and late-season canopy retention to avoid the greatest ripening excesses. Among others.

2What works elsewhere doesn’t necessarily work in Alsace. Even before the sugar revolution, Alsatian wines were “too heavy” for some, due to relatively warm, dry conditions for the Germanic set of grapes they employ, and the resultant levels of alcohol and dry extract. Adding sugar and even more alcohol to these wines while stripping their remaining acidity is a singularly bad idea, unless one is trying to produce syrup.

3Except, it sometimes seems, the States. I’ve gotten in trouble for revealing this in the past, but even the best-known names don’t always sell that well here. Prices are a major factor (especially at a few top addresses), and visits to the market are a must too often ignored by some, but the availability of the highest-rated Alsatian wines long after their release and initial ratings would be surprising to those who haven’t seen it first-hand in the marketplace. There has to be a reason for this, and there is: see the main essay.

4Which these are, though they’re not labeled as such.

A man’s wine is his Castle

[logo]Castle 1997 Merlot Donell Ranch Sangiacomo (Carneros) – All the structure here has washed away, leaving a sweaty core of intensely-concentrated blueberry. It tastes like one of those sour hard candies, though it’s neither particularly acidic nor sweet. It’s a very interesting wine, and I enjoy it, but there’s been no gain in complexity over the last eleven years, and I see no real hope of it holding longer given the state of its foundation. (3/08)

The key to a man’s nose

There’s a fine article on scent (which is, after all, the “taste” of wine) and the difficulties involved in describing it in the current issue of The New Yorker. But what really makes it worth the read is the final paragraph…which I guess I’ll go ahead and spoil right now:

“The question that women casually shopping for perfume ask more than any other is this: ‘What scent drives men wild?’ After years of intense research, we know the definitive answer. It is bacon.”

Absolutely true.