Castello di Lispida 2002 “Amphora” (Veneto) – A very, very sludgy performance from this wine, which is always big but usually shows more life. Less like drinking molten metal than drinking the mold into which the metal was poured, this just pounds, pounds, pounds away until you finally get tired enough of the pounding to push it off. (5/12)
tocai friuliano
Jakot, colonel
Radikon 2003 “Jakot” (Venezia Giulia) – Some alcohol here, plus pear and raw, exposed metal. Fat. The heat lingers into the finish. (7/09)
Felluga whale
Marco Felluga 2007 Collio Friuliano (Friuli-Venezia Giulia) – Airy, like drinking white clouds with some lemony acidity. With aggressive swirling, there’s acacia and some pale floral notes, but the wine’s chief attribute is its antigravitic lightness. (6/09)
Here’s to my sweet tokaj
Radikon 2005 Venezia Giulia “Jakot” (barrel sample) (Friuli-Venezia Giulia) – Fresh and light. Makrut lime poured over rocks. Simpler than the other wines, with a straightforward flavor. Already seems fairly complete. Long. (10/07)
Radikon 2006 Venezia Giulia “Jakot” (barrel sample) (Friuli-Venezia Giulia) – Pine, fresh bread, and papaya. Well-balanced and long. Perhaps a hint of reduction as well, which seems unlikely for this wine; perhaps I’m misidentifying something. (10/07)
Radikon 2003 Venezia Giulia “Jakot” (Friuli-Venezia Giulia) – Explosively aromatic, though precisely what’s in the shrapnel is difficult to pin down. Dried fruit, perhaps. Lush, fun, and fulsome. (10/07)
Ferdinando’s hideaway
i Clivi di Ferdinando Zanusso 1997 Colli Orientali del Friuli Galea Corno di Rosazzo (Friuli-Venezia Giulia) – Fairly advanced for this bottling, which has spent some time in a warmish store (Vintages, Belmont Center) and might have been displayed standing up for a time. All this really means, though, is that the wine is a lot closer to full maturity than pristine bottles: honeysuckle and fine-grained pollen with a lovely milky texture and very good length. (12/08)
Brazzano-burning
i Clivi di Ferdinando Zanusso 2001 Colli Goriziano Brazan Brazzano di Cormons (Friuli-Venezia Giulia) – Waxed peaches. Quite flowery. Texturally, waves of luxurious satin envelop the tongue, and get sexier with each passing minute. While this isn’t fully mature, it’s drinking beautifully right now. (11/07)
i Clivi di Ferdinando Zanusso 1997 Colli GorizianoBrazan Brazzano di Cormons (Friuli-Venezia Giulia) – Reddish fruit at the core, surrounded by wet wax and bronzed, metallic jacket. A triangular wine, drinking as well as it’s ever going to…which makes it the rare Clivi white that’s truly ready. (11/07)
Galea sayers
i Clivi di Ferdinando Zanusso 2001 Colli Orientali del Friuli Galea Corno di Rosazzo (Friuli-Venezia Giulia) – While it appears to broaden in the glass, in fact this wine is a lot less forward than it was a year earlier, so those holding some will now likely need to wait out its maturation. Herbs and a fine minerality are at the core, with a crescendo to a feathery finish that, nonetheless, remains full of mineral solemnity. (11/07)
i Clivi di Ferdinando Zanusso 1999 Colli Orientali del FriuliGalea Corno di Rosazzo (Friuli-Venezia Giulia) – From a warm vintage in which some of the berries started to desiccate, then recovered some of their plumpness just before harvest. This has opened a bit since my previous tasting, and the dominant characteristic is that of honey without its sweetness, lightly dusted with dried sage. Long and round, but still too young. There’s a very mild and pleasant oxidation on the finish, which I find to be entirely typical of these wines, and in fact hardly unknown among tocais in general. (11/07)
i Clivi di Ferdinando Zanusso 1997 Galea Corno di Rosazzo (Colli Orientali del Friuli) – Mostly open, but I still wouldn’t say it’s on the far side of maturity. Wax and oxidation layered with late-autumn leaves and a long, sandy finish. Letting its hair down, and those with a quantity will want to start sampling from their collection. (11/07)
Brazan it out
i Clivi di Ferdinando Zanusso 2003 Colli Goriziano Brazan (Friuli-Venezia Giulia) – A little better than the ’03 Galea, with a more cohesive form. Grapefruit and other assorted citrus rinds are present, along with some alcoholic numbness of the finish. It’s big. After a few hours of air and warmth, the nose is much improved, adding fig, melon, and cantaloupe to the fruit salad. But while it’s the more drinkable of the ’03 whites, at least at the moment, it’s still fundamentally deformed by its vintage. (11/07)
Galea-force winds
i Clivi di Ferdinando Zanusso 2003 Colli Orientali del Friuli Galea (Friuli-Venezia Giulia) – A little bit sulfurous at the moment. The nose is heavy and alcoholic (it was, as everywhere else, a very hot year for grape-growing), and not showing much under its twin assaults of lead and SO2. The finish suggests mint, but it’s tight. Solid, fat, long, but formless. However…after two hours in a warm (that’s European “warm”) room, a little bit more has emerged, including some ripe melon and a harder edge to the structure. It’s still a fat, flabby wine, though. (11/07)
What you call Corno, we call maize-o
i Clivi di Ferdinando Zanusso 1997 Colli Orientali del Friuli Galea Corno di Rosazzo (Friuli-Venezia Giulia) – A little more advanced than other bottles I’ve tasted, though I still wouldn’t call it ready (and I attribute the difference to normal bottle variation). Parchment, bones, tea, grey-white soil, dried apricot chip, and more. What begins with brittleness and spines smoothes and rounds as the wine lingers. Just beautiful. (6/08)
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