Browse Tag

spain

TN: Roally prioratized

Goyard “Domaine de Roally” 1999 Mâcon-Village “Tradition” (Mâcon) – Mushroomy aged chardonnay through gauze. There’s a beige-toned minerality and lightly pleasant spice over a wet, fungal earth foundation, but everything is a little muted. Is the wine just closed, or is this the result of mild cork failure? In any case, it’s very nice, though probably not all it could be. (10/06)

Grape(s): chardonnay. Alcohol: 13%. Closure: cork. Importer: Louis/Dressner/LDM.

Sangenís “Celler Cal Pla” 2001 Priorat Porrera Blanco (Cataluña) – Almost shockingly bronze, and evidence that the cork was not a perfect physical seal points to the culprit. Still, there’s old wood spice and a mild motel iron structure to a fully mature blend of fermented flowers and extremely overripe peach residue. Though this description might not indicate so, it’s a good wine…though certainly not a great one. (10/06)

Grape(s): 40% macabeu, 30% garnatxa (grenache blanc), 30% moscatell. Alcohol: 13.5%. Closure: cork. Importer: European Cellars.

TN: White paint (Oregon, pt. 11 & the end)

(The original version, with bigger photos, is here.)

[grapes]15 July 2006 – Willamette Valley, Oregon

Oregon Sauvignon Blanc Cartel – While tasting at Bella Vida, we’re handed a card announcing this most unlikely event: a sauvignon blanc tasting at Patricia Green Cellars (normally closed to the public). Sauvignon blanc from Oregon? This we have to taste for ourselves.

The drive, which crosses the hills on a small country road winding through trees and vineyards, is a beautiful one, but we take it a bit faster than caution might indicate, as we’re short on time. In Green’s busy winemaking shed, three wineries are represented: Andrew Rich, J. Christopher, and Patricia Green Cellars, and not everything on offer is made from sauvignon blanc. We grab glasses, push through the dwindling late-afternoon crowd, and dive in.

Andrew Rich 2005 Sauvignon Blanc Croft (Willamette Valley) – Grassy, with big lime, green apple and grapefruit bursting forth on the nose and palate. It become riper and more focused on the finish, with gooseberry, lime, lemon and lemon curd dominating, yet the wine is obviously a bit of a fruit salad. And there’s an intrusive Styrofoam note throughout, the memory of which the delicious finish can’t quite obliterate. Admirable but worrisome.

Andrew Rich 2005 Gewurztraminer “Les Vigneaux” (69.5% Washington, 30.5% Oregon) – A “freezer wine” that apes true ice wine as made in Germany and Canada. There’s much varietal truth here, with lychees and peaches in play, and though the wine is a little on the silly side, it’s got a great balance between acid, sugar and fruit. Fun.

Patricia Green 2005 Sauvignon Blanc (Oregon) – Citrus rind, Bosc pear, green apple and fetid armpit notes – not all that unusual for sauvignon blanc, though I don’t know that it’s ever actually welcome – with an exceedingly dry, flat finish. Not very interesting.

Patricia Green 2005 Chardonnay “Four Winds” (Yamhill County) – Restrained with terrific acidity, showing melon, grass and lemon over a firm bedrock of limestone. The finish, though seemingly dominated by malic acid, is incredibly persistent. A terrific wine that almost mimics unoaked Chablis (not in taste, but in overall structure)…and it’s hard to believe that it’s from the U.S. I don’t know that it will age, but it’s awfully nice right now.

[Mt. Hood]J. Christopher 2005 Sauvignon Blanc Maresh (Dundee Hills) – Dominated by majestic quartz-like minerality, with grass, dried lemon, and apple skin. Acid and a tannic dryness compete with fine-grained minerals on the finish. Just terrific, and probably the best domestic sauvignon blanc I’ve ever tasted.

J. Christopher 2005 Sauvignon Blanc Croft (Oregon) – It’s interesting to compare this with the Andrew Rich wine from the same vineyard…though I note they use different appellations. A blending issue, perhaps? This is harder-edged than both the Maresh and the Rich version of the Croft, with green apple about all that’s discernable amidst a biting wave of acidity. It probably needs some time to settle down and develop aromatics, but it is a much more uncompromising interpretation that either of its cohorts.

Ponzi Wine Bar – Part of a larger complex of restaurant, wine bar, and (as of our visit) empty space awaiting a client, this is a very pleasant spot that desperately needs a better exterior view. Nonetheless, it does well, presenting both Ponzi and other Oregon wines by the glass and bottle. The staff, almost inevitably, is almost exclusively comprised of attractive young people…though unlike so many other similar venues, they appear to know their stuff.

Ponzi 2005 Arneis (Willamette Valley) – Floral, showing honeysuckle, ripe apricot and mango with a spicy texture. Yet despite all these yummy descriptors, the wine comes of as simple. Pleasant, to be sure, but simplistically so.

Ponzi 2004 Pinot Noir (Willamette Valley) – Very closed at first, with burnt cherries and a bit of jam underneath a heavy, palate-deadening weight. With air, a Port-like character emerges, with jam a significant player as well. A decidedly fruit-dominated, somewhat behemoth wine that’s not to my taste, but that’s executed pretty well for those that appreciate this style. And I suppose it will age…though my previous experiences with old Ponzi pinot suggest that “last” is a better term.

[vineyard]The Painted Lady – Like Red Hills and the Joel Palmer House before it, this is a converted residence. And as with the Joel Palmer House, we barely see the interior, preferring an outdoor table on the restaurant’s tiny terrace to one of the over-conditioned rooms. (A word of advice: there are serious issues with glare and heat from the setting evening sun on the few outdoor tables, so if you eat early, be prepared to play a positioning game until after sunset…or sit inside. After the sun goes below the rooftop horizon, however, the outdoor tables are well worth their previous inconvenience.)

With a passionate, knowledgeable owner and (mostly) excellent service, plus a true purity to the cuisine, this ends up being the most complete dining experience of our stay. While it’s not as memorable at our fungal fiesta at the Joel Palmer House, it does everything just a shade better.

Theresa starts with fried razor clams, their panko-encrusted texture and form a surprising and worthy variation on an old standard, while I nibble on flawless sweetbreads in a shallow pool of chopped corn and porcini cream, the earthier aspects of each combining for a glorious whole. Proximity to source improves an impeccably roasted filet of wild King salmon, while halibut over corn succotash and fried green tomatoes is no less perfectly presented. The most outstanding dish, however, is a simply-prepared 10 oz. cut of Strawberry Hill beef that brings out every beautiful essence of rare steak, served with pillowy potato gnocchi and a few asparagus spears drizzled with olive oil. It sounds unexciting to the jaded diner, but each bite proves otherwise.

Willakenzie 1998 Pinot Noir Aliette (Willamette Valley) – Shy at first, though it builds and improves throughout the evening, showing gentle baked cherries and leaves over a flowing stream of gravel and crushed granite. Soft-textured, this pinot embraces the tongue, getting longer and longer with each sip. A lovely wine, though I don’t know if I’d hold it much longer.

The only lapse in the restaurant’s perfection comes at the end of the meal, when we’re offered a “small plate of local cheeses” and, after much delay but no explanation, presented with a single, razor-thin wedge of a cheese…from Washington. Well, OK, I guess it could easily be “local,” but somehow this seems to subvert the premise. Or at least the plural.

Toro Albalá “Don PX” 1971 Pedro Ximénez “Gran Reserva” (Montilla-Moriles) – Prune motor oil that’s still amazingly primary (though I’m led to believe that this isn’t exactly 100% 1971 wine, but rather more of a solera), yet with beauty and elegance as the wine lingers…and lingers, and lingers, and lingers. Old PX is the longest-finishing wine I’ve ever encountered, which I guess means that one should studiously avoid bad examples. Thankfully, this isn’t one.

And thus is our brief Oregon visit brought to a satisfying close. The drive to the airport, through otherwise depressing strip malls and chain shopping complexes on the southern outskirts of Portland, is overwhelmed by the beauty of a dark purple sky, in which the snowy peak of Mt. Hood and the smoking crater of Mount St. Helens gleam as pinnacles of light and dark; metaphoric representations of good and evil made manifest. (Or perhaps that’s just the wine talking.) We’ll remember the books, the wines, and the mushrooms, but most of all we’ll remember the gentle beauty of a region to which we’ll soon find a reason to return.

TN: Arena number two

[Muga]Muga 2002 Rioja Reserva “Selección Especial” (Center-North) – Coconut-infused wood. There’s very little else. Just the wood, and the coconut. (9/06)

70% tempranillo, 20% garnacha, 10% mazuelo and graciano. Alcohol: 13.5%. Closure: cork. Importer: Jorge Ordoñez. Web: http://www.bodegasmuga.com/.

[DDC]Domaine de Chevalier 1988 Pessac-Léognan (Bordeaux) – A gorgeous nose of cedar, thyme and graphite with little dustings of black cherry and cassis builds to…absolutely nothing. Other than a tart core of acidity, this wine is virtually void of palate or finish. It’s a perplexing thing, but maybe the best option is to smell and dump, rather than drink. (9/06)

65% cabernet sauvignon, 20% merlot, 5% cabernet franc. Alcohol: 12%. Closure: cork. Importer: Wildman. Web: http://www.domainedechevalier.com/.

[Fèlsina]Fèlsina “Berardenga” 1997 Chianti Classico “Vin Santo” (Tuscany) – Sweet strawberry, lime, mostarda, cider and pomegranate in a wine that, despite its heady richness, comes across as delightfully light and breezy. Yet there’s plenty of seriousness and complexity underneath. What really makes this work, however, is its exquisitely beautiful balance. (9/06)

80% malvasia & trebbiano, 20% sangiovese. Alcohol: 15%. Closure: cork. Importer: Domaine Select. Web: http://www.felsina.it/.

Roussel & Barrouillet “Clos Roche Blanche” 2005 Touraine Sauvignon “No. 2” (Loire) – As usual, more Touraine than sauvignon blanc, showing chalky, aspirin-like minerality with wet limestone and flecks of the driest citrus wine. However, there’s a slightly oppressive weight, albeit a flavorless one, that renders everything a little sticky and comes to dominate the finish. I’m unsure about this; it may be legendary, or it may be too much for itself. Time will tell, I guess…or not, because the closure won’t allow reliable aging past two or three years. Still, that might be enough time to tell the tale. (9/06)

Alcohol: 13%. Closure: extruded synthetic. Importer: Louis/Dressner/LDM.

[Minervois]Julien “Château Villerambert Julien” 2005 Minervois Rosé (Languedoc) – Slightly muted raspberry and lead, with a gauze-like texture. I think this may be very mildly corked, but in any case it’s not performing as it should. (9/06)

40% syrah, 30% grenache, 20% carignan, 10% mourvèdre. Alcohol: 13.5%. Closure: cork. Importer: Ideal. Web: http://www.villerambert-julien.com/.

[Dashe]Dashe 2002 Zinfandel Big River (Alexander Valley) – Big and slightly fierce, showing thoroughly untamed wild berries – dark and angry – with concentrated blackness somewhere in the realm between grilled meat and tar. There’s spice and structure to spare, and the wine grows more deliciously aromatic with aeration, yet its clenched fists never quite relax. Terrific, balanced, muscular zinfandel still in the hormonal rages of its rebellious youth. (9/06)

Alcohol: 14.9%. Closure: cork. Web: http://www.dashecellars.com/.

Ceuso 2004 “Scurati” (Sicily) – Dusty, fire-blackened blackberries, black pepper and asphalt-like rigidity that takes a jarring turn towards the sour on the palate; the acid and the black tannin then combine to dry out the finish. I want to like this unoaked nero d’avola for it’s relatively unspoofulated nature, but I just can’t. It’s as if these grapes have been pushed far past their endurance, only to collapse in exhaustion in the bottle. Proving, I guess, that over-oaking isn’t the only way to ruin nero d’avola. (9/06)

100% nero d’avola. Alcohol: 13.5%. Closure: cork. Importer: Vias. Web: http://www.ceuso.it/.

Arena 2001 Muscat du Cap Corse (Corsica) – Sap-exuding conifers, crushed pine needles and windswept maquis with gorgeous, crystalline, high-toned minerality in a steady rain of aromatic white flowers. Lovely acidity balances the succulent sweetness here. This is a fantastic, unique vin doux naturel from a grape that all too often renders its vinous products asymptotically indistinguishable. (9/06)

Alcohol: 16%. Closure: cork. Importer: Lynch.

Koehly 2004 Riesling Saint Hippolyte (Alsace) – Freshly-crushed stones, amidst which are sprouting delicate little alpine flowers; the latter eventually grow in proportion to all else. There’s a very slight hint of spicy sweetness, but juicy acidity brings the wine back to something that tastes no more than barely off-dry. Unfortunately, the finish is nonexistent. Koehly usually does better work than this. Perhaps cork failure or taint of some sort? (9/06)

Alcohol: 13%. Closure: cork. Importer: Rosenthal.

TN: Another terrific No. 9 Park tasting menu

A tasting menu at No. 9 Park…28 August 2006.

Roederer Champagne “Brut Premier” (Champagne) – Intellectual, earth-driven but satiny stone fruit (minus most the fruit) with a gentle, yet inexorable persistence. Very thoughtful bubbly. Served with: ultra-thin-sliced smoked lobster sashimi with grapefruit, avocado and cilantro. The wine and the food stand essentially apart here.

Cusamano 2005 Sicilia Rosato (Sicily) – Made from nerello mascalese. Big, broad-shouldered raspberry and maraschino cherry fruit with a keening, fresh flower aroma. It’s simple alone, but with food it almost explodes with additional complexities. This is an inspired match. Served with: seared yellowfin tuna (about as pure and wonderful as this fish could ever be) with a brilliant marmalade of heirloom tomatoes lent smokiness by chorizo, which infuses the marmalade and adds a textural counterpoint in little crisp bits perched atop the cubes of fish.

Schrock 2005 Ried Vogelsang (Neusiedlersee) – A blend that’s a bit at war with itself, showing lots of interesting characteristics that seem to have absolutely nothing to do with each other: crisp acidity, juicy/lemony sprightliness, herbal grassiness, spicy headiness…it’s a bunch of smart people, all talking past each other. Served with: day boat scallops on a purée of curried cauliflower (possibly the single best expression of this vegetable I’ve ever tasted) and crispy little bursts of fried tapioca. This isn’t much of a marriage, though the wine does no actual harm to the food.

Faiveley 2003 Bourgogne Rouge (Burgundy) – Cranky, rough, ungenerous and difficult, with wan suggestions of something that might once have been red fruit buried under clumsy, off-putting tannin. A last-minute replacement due to a chef deglazing with red wine rather than the intended white, and not a very successful one. Served with: handmade orechiette, flawlessly pressed and cooked, with a Burgundian snail ragout that works rich, earthy wonders on the palate. A better red Burgundy would be magical here.

Lustau Almacenista Palo Cortado Sherry “Vides” 1/50 (Jerez) – Dark, fire-roasted nuts that consistently suggest sweetness, but never quite achieve it, settling instead for an intense, warming richness. The alcohol is a little more intrusive than normal, and it negatively affects the food pairing. Served with: seared La Belle Farms foie gras with golden raisins, almond praline and balsamic vinegar. The dish is flawless, but the wine only goes well with the accompaniments; the alcohol buries the delicacy of the foie gras. It’s an adventurous notion, but ultimately an unsuccessful one.

Vajra 2004 Dolcetto d’Alba Coste & Fossati (Piedmont) – Delicious. Sneaks up quietly at first, with light blackberry dust and a slightly exuberant structure, but soon fills out with gorgeous mixed bouquets of freshly-picked wildflowers and an earthy, morel-infused bottom end. Very, very agile with food. Served with: softly-seared Pekin dust breast with “melted” strawberries, honey, and perfectly bitter counterpoints of red shiso. This is an inspired match.

Les Pallières 2003 Gigondas (Rhône) – A heavy, ponderous stew of garrigue, leather and dark, smoky fruit overladen with tannin. The wine is chewy, and that’s not a compliment. It’s one of the better 2003 Rhônes I’ve tasted, though that’s certainly faint praise at best. Still, there are terrific raw materials underneath the sludge, and it’s possible that a few centuries of aging will resolve matters. Or, more likely, not. Served with: roasted lamb loin with a truffle “fondue” and leeks, dusted with thyme. The food actually helps tame some of the glue-like tannin in the wine, but the price paid is a diminution of the elegant earthiness found in the truffles.

A palate-cleansing celery sorbet is audaciously magnificent.

Pieropan 2001 Recioto di Soave Classico Le Colombare (Veneto) – A stunning wine, full of concentrated peach, orange rind and iron shot through with flowers and perfumes from some mythical Orient. Powerfully sweet, but with flawless balancing acidity, and as long as one would ever wish a wine to be. Majestic. Served with: blueberry and crème fraîche soup with a carrot “confit,” white chocolate, and anise hyssop garnish. The dish doesn’t sound like it should work, but in fact it’s some sort of revelatory symphony of summer flavors; and the wine, which also doesn’t seem like it should work with this mélange, soars above the music in perfect harmony. There’s real genius behind this pairing.

Garitina 2005 Brachetto d’Acqui “Niades” (Piedmont) – The usual bright red fruit, frothed (though so lightly as to be almost unnoticeably effervescent) and given just a touch of late-palate bitterness. Simple fun. Served with: a warm chocolate tart with chocolate sorbet and “wilted” grapes. The latter seem superfluous, like a half-hearted nod towards molecular gastronomy, but everything else on the plate is superb and properly undersweetened, which helps the wine dance around the edges. Of all the wines alleged to pair well with chocolate, I think brachetto may be the only one that really does so.

TN: One & two

[verdejo]Sanz “Villa Narcisa” 2004 Rueda Verdejo (Castilla & León) – Grassy, limestone-dusted grapefruit from a quarry-side orchard, with briny acridity and a sharpening finish. Interesting. (9/06)

Alcohol: 13%. Closure: cork. Importer: Tedward. Web: http://www.jsviticultor.com/.

Forsoni “Poderi Sanguineto I e II” 2004 Rosso di Montepulciano (Tuscany) – Strawberries and old roses with a gentle, enticing earthiness and a nice little nip of acidity. This wine is the opposite of explosive or concentrated, and yet in its own soft-spoken way it is very nearly perfect. (9/06)

Prugnolo gentile (a/k/a sangiovese), canaiolo nero & mammolo. Alcohol: 13.5%. Closure: cork. Importer: Adonna. Web: http://www.sanguineto.com/.

TN: Clearing the cellar

A “clear the cellar” (a/k/a “make room for more wine”) tasting with friends in Connecticut. One addition: the mini-vertical of Clos des Briords (posted elsewhere) properly belongs among these notes.

Chateau des Charmes 2004 Gamay “Droit” St. David’s Bench (Niagara Peninsula) – Faint sweet cherry with a dry soda aspect and spiky acidity. The texture is all aspirin and baby powder. I don’t care for this at all. (8/06)

Mugneret-Gibourg 2002 Bourgogne (Burgundy) – Lovely and balanced, with strawberry seeds the dominant characteristic. (8/06)

[St. Innocent]St. Innocent 1999 Pinot Noir Seven Springs (Willamette Valley) – Gorgeous black cherry soda on the nose, with a rougher, more tannic brew of raspberry, strawberry, plum and grey earth on the palate. Just starting to round into form…though a few more years will bring superior harmony. (8/06)

St. Innocent 2004 Pinot Noir Shea (Willamette Valley) – Woody, showing layers of coconut over raspberry, with lots of thick tannin. Full and almost fat, but structured. Opened way too early. (8/06)

Téofilo Reyes 1996 Ribera del Duero (Castilla & León) – Caramel nougat and thick, dark, sticky fruit. It’s not as awful as it sounds, but it’s sludgy and one-note and, ultimately, pretty boring. (8/06)

Lopez de Heredia “Viña Tondonia” 1976 Rioja Gran Reserva “Viña Bosconia” (Center-North) – Dill and smelly feet, with crabapple tartness and a hot finish. (8/06)

Edmunds St. John 1999 Syrah Durell (Sonoma Valley) – Leather, blueberry and powdery tannin, with all sorts of yummy, earth-and-herb-and-sweat characteristics starting to bubble to the surface. The future looks promising. (8/06)

Müller-Catoir 1996 Mussbacher Eselshaut Rieslaner Spätlese 04 97 (Rheinpfalz) – Clumsy tropical fruit with searing, tongue-scalding acidity. (8/06)

Wittmann 1999 Westhofener Steingrube Spätburgunder Beerenauslese 23 00 (Rheinhessen) – Intense to the point of being overwhelming, with grass, red-toned melon, and pomegranate with huge acidity. Bizarre, and I can’t quite decide what to think of it. (8/06)

Nuns and raisins

Notes from a dinner, with friends and Boston Wine Expo attendees.

[Muré]Muré Crémant d’Alsace Brut (Alsace) – Balanced and medium ripe, showing apples and light cream. This is one of the better of the basic crémants from Alsace, and previous vintages have proven that the upper-level bottlings from Muré (not, to my knowledge, available in the States) are even better.

Muré’s fame, at least in the States, rests on the Clos St. Landelin and its occasionally heavy, but usually majestic wines. But they do a reliably fine job across their lineup, including their négociant range, and here’s one that will probably fly under the radar for most people. From equal amounts of pinot blanc, riesling, and auxerrois. Disgorged: 12 March 2004. Alcohol: 12%. Closure: cork. Importer: Kacher. Web: http://www.mure.com/.

Viñedos de Nieva “Pasil” 2004 Rueda “Pie Franco” (Castilla & León) – Lightly spiced chalk and soda water, showing clean and pure. Quite refreshing.

100% verdejo, from older vineyard material available to this (relatively new) winery. Alcohol: 12.5%. Closure: cork. Importer: Kysela. Web: http://www.vinedosdenieva.com/.

Bossard “Domaine de l’Ecu” 2004 Muscadet Sèvre & Maine “Sur Lie” “Expression de Granite” (Loire) – Like licking a stone tablet (not necessarily while it’s being held by Moses), sharp and tight yet building gracefully on the finish. A second bottle, tasted the next day after extended aeration, is more generous and introduces youthful, malic fruit characters, but is no less mineral-driven.

It’s curious that the French word “granit” is translated to English for this label, yet “de” remains from the French original. Ah, the mysteries of labeling. Bossard remains one of the area’s best producers, and with the trio of soil-specific bottlings whence this comes, one of the best at showing how incredibly revelatory melon de bourgogne is of terroir. Alcohol: 12%. Biodynamic. Closure: cork. Importer: Kysela.

Trimbach 1995 Riesling “Cuvée Frédéric Émile” (Alsace) – Creamy, salt-cured dried leaves and crushed oysters. Highly-advanced vs. other examples from this vintage, and while obvious signs of pure heat damage aren’t necessarily in evidence, something has brought this wine to an early retirement. Better-stored bottles are still not even close to ready.

From the Osterberg and Geisberg vineyards that form the backdrop to Ribeauvillé and to Trimbach itself, and while the same house’s Clos Ste-Hune deserves its reputation as the finest riesling in Alsace, it is more on this wine that the widespread appreciation for Trimbach’s rieslings rests. The fact that it’s less than 25% of the cost of CSH is certainly the primary cause, but the Clos Ste-Hune can be so impenetrable and strange in its youth that it can turn people away from its glories; the CFE is no less restrained at first glance, but the liquefied steel character is at least varietally recognizable. What also helps is that these wines, like most upper-end wines at Trimbach, are late-released and regularly re-released after further maturation, which undoubtedly helps sell the ageability of these all-too-frequently majestic bottles. Alcohol: 12.5%. Closure: cork. Importer: Seagram. Web: http://www.maison-trimbach.fr/.

Deiss 1997 Gewurztraminer St-Hippolyte (Alsace) – Smoky and sulfurous, with bacon fat and raw rosette de Lyon characteristics, and ultra-ripe lychee jam slathered over everything. The finish is sweaty, and nothing is entirely dry. This is a valid expression of gewurztraminer, and will find some fans, but for me it is far too graceless…an odd thing to say about gewurztraminer, perhaps, but such things are relative.

St-Hippolyte is a village – a pretty one, but then in Alsace most of them are pretty (pity poor, poor Epfig) – not far from Deiss’ home town of Bergheim, and right at the northern end of the arbitrary political border between the Haut-Rhin and the Bas-Rhin. It does, however, suffer a bit from an even more arbitrary notion…this one in the minds of fans of Alsatian wine…that the “important” vignoble of Alsace ends somewhere between Ribeauvillé and Bergheim, and everything north is chilly roulette. This is, of course, nonsense.

It should be pointed out, in the interests of revealing bias, that I am rarely particularly appreciative of the wines at Deiss. (It should also be pointed out that many do not share this view.) The proprietor, Jean-Michel, does possess a certain brilliance (just ask him), but I mostly find it misdirected. Much is made of the current mania for multi-variety single-site blends chez Deiss, but this only serves to amplify the previous problem at this domaine: an obsession with impact over transparency. Transparent wines certainly do not have to be light, nor to they have to be underripe (as Jean-Michel so arrogantly implies in a June 2005 letter), but they can’t obscure varietal and site character in a thudding whoomp of body and thick, sludgy anonymity either. Working from lesser material, Deiss might be able to assert that he alone is expressing his sites correctly…but this doesn’t work in his corner of Alsace. There are too many good winemakers around to make such a ridiculous claim. Personally, I would consider it a victory if he was able to actually express some facet of a site more than once or twice per vintage, because one suspects that his success rate is as much accident as design. Alcohol: 13%. Closure: cork. Importer: Kacher. Web: http://www.marceldeiss.com/.

Faiveley 1990 Chambolle-Musigny 1er Cru (Burgundy) – (French bottling.) Not dead, but not particularly alive either, with lots of acid, hard tannin, and only the faintest suggestion of berries on the finish. Well past it.

This is part of a large stock of Faiveley wines owned by a French relative, who regularly serves them at full maturity (usually with wild boar) and equally regularly sends some home with me. Unfortunately, the take-home bottles have almost routinely been disappointments vs. their in-France counterparts, and I wonder if the rigors of travel aren’t to blame. In any case, my success rate with the wines – as gratefully received as they are – is poor. Alcohol: 12.5%. Closure: cork. Importer: French bottling, sourced from the domaine. Web: http://www.bourgognes-faiveley.com/.

CVNE “Viña Real” 1981 Rioja “Gran Reserva” (Center-North) – Dill and espresso dusted with chocolate powder, beautifully rich vanilla, and baked earth, finishing with a dessert-y dulce de leche character. I am nearly alone at our table in not loving this, but there’s just nothing but wood (and dill-flavored wood at that).

Tempranillo and graciano. I accept that antipathy towards old Rioja is one of my failings, especially since I usually don’t prefer wines with more obvious fruit. Perhaps it’s the American oak, perhaps it’s my Norwegian aversion to an abundance of dill (familiarity breeds contempt, as too often dill plays the role of “the vegetable” in Norwegian cooking…and before I get letters: yes, that’s a joke (then again, maybe it’s not)), or perhaps it’s just an issue of personal taste. What makes it more painful is that I have a very good friend who adores these wines, and opens them all the time in apparently vain attempts to convert me to their glories. Every once in a while, he succeeds, but then a wine like this comes along…which, as said in the actual note, everyone else appears to like…and my suspicion re-rears its ugly head. Alcohol: 13%. Closure: cork. Importer: Vieux Vins. Web: http://www.cvne.com/.

Jaboulet Aîné 1990 Hermitage “La Chapelle” (Rhône) – Meatfruit and firm, tight, unyielding structure. There’s a phrase about tightness and nuns here that I won’t repeat, but that applies in spades to this wine. The question is: given the precipitous fall in Jaboulet’s quality over the nineties and beyond, is waiting for this one a foolish choice, or will it eventually reward the patience? This wine doesn’t provide a clear answer either way, though my guess is that there’s sufficient stuffing but there’s at least a one-in-three chance that it won’t outlast the structure in any useful way.

Côte-Rôtie provides the Burgundian ambiance (albeit particularly pork-like), Cornas is the rustic and loud country bumpkin with surprising hidden sophistication, Crozes-Hermitage is a minefield, and St-Joseph introduces some fruit to the equation…but it is Hermitage that shows syrah in its sternest, most masculine glory. The problem there is that if one doesn’t get fruit of a high enough quality, or mishandles it in the cellar, one is left with a big slurp of liquid structure with nothing to support. That’s just one of the things that’s befallen Jaboulet in recent years (ownership has changed, and improvements could finally be on the horizon), though this wine is reputed to be one of the holdouts from past glories. I guess we’ll see. Alcohol: 13.9%. Closure: cork. Importer: Frederick Wildman. Web: http://www.jaboulet.com/.

Delorme “Domaine de la Mordorée” 1999 Châteauneuf-du-Pâape “Cuvée de la Reine des Bois” (Rhône) – Pretty, verging on beautiful, but still highly primary, showing spiced clove, oak (and oak tannin), and a rich, full-bodied mélange of spices and sun-baked fruit. It needs a lot of time.

Every time I have a good CdP, I wonder why I don’t drink more of it. I guess the price has something to do with it (nothing drinkable is priced at everyday levels, unless you’re loaded), but CdP is a fascinatingly flexible wine, in that it (with certain high-structure exceptions) shows well at most stages of what can be a pretty long life. This one’s grenache in the starring role, with mourvèdre supporting and cinsault, counoise, syrah and vaccarese as bit players, from old vines (though in the context of old vine-heavy CdP, perhaps not all that old…60 years or so). Alcohol: 14.5%. Closure: cork. Importer: Kysela. Web: http://www.domaine-mordoree.com/.

Conti Sertoli Salis 1999 Valtellina “Canua Sforzato” (Lombardy) – Lightly sweet prunes and rose hips with graphite-like structure. It’s an odd combination of aromas and sweetness, but it works somehow.

Sforzato (sometimes sfursat in dialect) means that this nebbiolo-dominated wine is, in contrast to regular Valtellina, made from dried grapes that raise both the potential alcohol and the probability of residual post-fermentation sugar. An actual raisin wine, if you will, vs. all the New World wines essentially made from nearly raisined grapes in a misguided pursuit of “ripeness.” Except for the rose hips, there’s little that says “nebbiolo” about this young wine, though careful examination of the overall structure and balance might lead one to envision an aged version of this wine that will, indeed, be highly varietally-revelatory. Alcohol: 14% (though I think it has to be 14.5% by law). Closure: cork. Importer: CHL International Trading. Web: http://www.sertolisalis.com/.

Touchais 1976 Côteaux du Layon (Loire) – Honey and sweet syrup with brioche butter. Seemingly past it.

Sweet and botrytized chenin blanc, from a domaine that regularly does late releases of their wines…which explains their ubiquity on the marketplace. Rarely are they as good as they probably could be, to my tastes, with several producers in Layon doing much better work at ageable chenin. What I’ve never had, however, is a youthful Touchais, so I have no idea what they’re like at bottling. Alcohol: 13.5%. Closure: cork. Importer: Vieux Vins.

Mary killed a little lamb

Métaireau 2004 Muscadet Sèvre & Maine “Sur Lie” “Petit Mouton” (Loire) – All the briny seawater one could want. Unfortunately, this wine arrives in stages: brine, then sweaty/leesy aromatics, then a semi-acrid sort of flatness, and each is less appealing than the first. It’s a fine match with the right food (acid-enhanced bivalves, for example), but it needs that food, because otherwise it’s a bit difficult to drink.

Since this is Métaireau’s young vines cuvée, it’s probably best to not attack it too strongly; he is certainly capable of better work, as evidenced by his other wines. But melon de bourgogne is already a light-aspected grape, and it needs to be of better natural quality to bring out the potential of good Muscadet. I wonder if this wine might not have been better in its natural, non-lees-aged form. Alcohol: 12%. Importer: Boston Wine.

Unión Viti-Vinícola “Marqués de Cáceres” 2001 Rioja “Vendimia Seleccionada” (Center-North Spain) – Awful. Horrible. Wretched. Dead and decaying hamster guts slathered with dill-infused chocolate are not what I’d call appealing, except perhaps to vultures and other carrion-eaters. Stay far, far away.

Tempranillo never had it so bad. This found-everywhere bodega does produce some drinkable wines, but they underachieve at all points. This wine is particularly dismal. Avoid it like the plague. Alcohol: 13%. Importer: Vineyard Brands. Web: http://www.marquesdecaceres.com/.

The old Granger

Granger 2002 Juliénas (Beaujolais) – Too small to be a fruit bomb – perhaps a fruit “poof” – with dainty red fruit and a sweet grin. There’s never much more to it than that, however. Furthermore, given that another recently-consumed bottle of this wine was entirely different, some blame has to be assigned to the variability of the synthetic cork seal.

See the previous note for not-very-much information on this wine. As for the cork, early demises and variability are an unfortunate side-effect of even the best synthetic corks (and this is one of the better ones; extruded, not molded). Removing the TCA threat is a worthy goal, and these corks do accomplish that, but they bring an even more loudly-ticking time bomb of their own. A shame, really. Screwcaps (and crown caps) are still the most promising of the various alternatives to cork. Alcohol: 13%. Importer: Rosenthal.

San Alejandro “Las Rocas” 2001 Garnacha “Viñas Viejas” (Calatayud) – Insistent strawberry and plum pit with dried roadside tree bark, a warming palate impression, and a decent amount of support and structure. Whether this wine is falling apart or closing down is anyone’s guess at this point, though the emergent heat hints at the former. On the other hand, it is a fairly hot-climate red, and some obvious alcohol isn’t necessarily a reason for anxiety. Still, I’ll drinking most of mine sooner rather than later.

There’s been controversy about this wine – multiple bottlings leading to one critically-heralded version and another that’s apparently not up to snuff – but this purchase (a multi-bottle lot) was unquestionably one of the good set, and even though it’s not the full-fruited monster it was in its youth, its still a fun and good value quaff. Alcohol: 14%. Importer: European Cellars.

The young and the fruitless

(Short excerpts from a longer narrative, which can be found here.)

Château de Fieuzal 1993 Pessac-Léognan (Bordeaux) – Full of pine needles and silty peat moss dust, with something in the licorice family – I proceed through fennel, anise, and pastis before finally arriving back at fennel fronds – with a brassy, tinny aspect.

Mumm NV Champagne Crémant de Cramant Blanc de Blancs (Champagne) – Of indeterminate age, but most definitely not a new release. Smells like a Dairy Queen chocolate shake, though there’s also a malted element to it and perhaps something more custardy from the Ocean City boardwalk would be a more appropriate descriptor. On the palate, there’s some bitter lemon and stingingly tart apple to balance things out, but the overall impression is of a sugary, confected ball of barely-bubbly strangeness.

Chapoutier 1989 Hermitage Blanc “Chante-Alouette” (Rhône) – Lemon peel and peanut oil on the palate, but nothing at all on the nose. It’s less than half a wine, though this performance doesn’t really surprise me from Chapoutier.

Chave 1996 Hermitage Blanc (Rhône) – Manzanilla sherry, creamy puréed earth and chestnuts, but nothing on the palate.

R. Lopez de Heredia “Viña Tondonia” 1989 Rioja “Reserva” “Viña Gravonia” – Still vivid and – say it ain’t so – possessing something that might easily be labeled fruit, which I point out should necessarily exclude it from our evening. Nonetheless, it’s nice, showing baked pear, baked peach, and a bright, spicy finish. By far the liveliest wine of the night so far.

R. Lopez de Heredia “Viña Tondonia” 1987 Rioja “Reserva” “Viña Tondonia” – The color…well, basically, there’s no way to describe the color other than “fill the cup, please.” Sour plum, blood orange blossoms and dried flower petals mark a long, complex, and surprisingly pretty wine. Pretty, but with a lot of depth, and probably the best wine of the night.

R. Lopez de Heredia “Viña Tondonia” 1976 Rioja “Gran Reserva” “Viña Gravonia” – Dark brown, with caramel laced with cidered apple and baked potato. It’s juicy and long, with pretty decent acidity, but it’s also rather heavy and thudding, and I find myself going back to the ’87…as does the rest of the group…leaving a lot of this brooding and mud-colored wine still resting in its decanter.

Ramonteu “Domaine Cauhapé” 2001 Jurançon “Symphonie de Novembre” (Southwest France) – Tasty but “off” in comparison to an earlier bottle, and I wonder aloud if it isn’t some of that “romantic and traditional” cork variation that we all know and love (at least it’s not also-much-beloved cork taint). There’s very slightly oxidized sweet spiced peach, bitter skins and light botrytis spice with a balanced, drying finish…but all the lushness of this wine is under some sort of shroud.

Donaldson Family “Pegasus Bay” 1999 “Finale” (Waipara) is much better, showing creamy sweet tangerine, orange, spicy wood and noble rot influences, and a luscious balance and texture.