Browse Tag

sardinia

Myrna Loi

[nùo]Loi “Nùo” 2013 Vermentino di Sardegna (Sardinia) — Skin contact, with all the leveling, asymptotic effects that portends. It’s still more refreshing than Dettori (isn’t everything? well, except Cornelissen), but it’s very heavy, and I’m not seeing the vermentino here. All that aside, I like it, in its lead-on-the-tongue sort of way. (11/16)

Just one more thing…

G. Battista Columbu 2010 Malvasia di Bosa Riserva (Sardinia) — Outrageous texture, outrageous fog-blindness spice; like drinking a blizzard without the chill. Salty and pepper and full of citrus zest, this would be an overpowering wine…if it didn’t make me laugh out loud at the sheer joy of it. (5/16)

Yes’ worst album

Sella & Mosca 2009 Alghero Terre Bianche Torbato (Sardinia) – Vivid fruit in the white/lime green/yellow spectrum, seeking to be bright but stumbling a bit under a little excess weight. It’s not a complex wine, nor is it (I think) intended to be, but it requires a fairly constant chill to avoid a bit of over-belt sag. (6/12)

Well, they otto done a lot of things

Dettori “Badde Nigolosu” 2008 Romagnia Rosso “Ottomarzo” (Sardinia) – The walloping stank of immense volatile acidity…and not much else. VA is my “thing,” yes, but I can’t get past it here. This wine is grossly, impenetrably flawed. I appreciate the prose middle finger to convention and marketability on the back label, in which they insist on their right to produce wines like this, but while I like many Dettori wines a great deal and have absolutely adored some as works of near-genius, this is not one of them. This is horrible. (11/11)

Contini on

Contini 1998 Vernaccia di Oristano “Riserva” (Sardinia) – Like drinking preservation. Not any specific method of, but preservation itself. This sense of unsatisfied temporal tension awaiting content is almost specific to vernaccia di Oristano, for my palate, and sets it apart from so many other flor wines with much more self-generated qualities. Vernaccia di Oristano always seems like it’s expecting something that hasn’t yet happened. (11/11)

The Cagliari of the wild

sf rainbowLa Ciccia – The relationship between hype and execution is frequently one marked indifference, seething resentment, and serial infidelity. And it’s thoroughly individualized; there exists no devotional object for which there is not proportional loathing.

Still, it is very, very difficult to find anyone of demonstrable reliability…that is, we may exclude Yelp…who has anything bad to say about La Ciccia, aside from carping about extreme popularity and its effect on reservations. That speaks of something. And yet, despite a near-relentless “go, go, just go” drumbeat from friends and trusted acquaintances, somehow I’d managed to avoid the place over multiple visits to the Bay Area.

Were I as flexible as my (imaginatively auto-fictionalized) boyhood self, I’d be kicking my posterior right now. Since I’m not, I’ll have to settle for doing it verbally. Every single thing I eat here – ranging from yanked-from-the-ground simple to a sophisticated balancing of aggressive flavors that would overwhelm a lesser kitchen – is cooked perfectly. Not well. Not pleasantly. Perfectly. Including easy-to-mangle organs, parts, and eccentricities, but also including the basics of noodle, muscle, and salt-water bather. The service is, delightfully, that of a bustling Italian kitchen above which live  and sleep three generations of family. And the wine list is…

…OK, here’s a minor complaint: I hate the way the wine list is organized. But the insanely expansive demonstration of vinous Sardiniana is impossible to criticize beyond issues taxonomic.

There are very few things I insist on doing each and every time I’m in a much-visited place. Lunch at Le Comptoir in Paris might be one. Perhaps a seat at the bar at Drink Boston. La Ciccia is now on that list.

Boxler 1996 Riesling Sommerberg “L31E” (Alsace) – Bracing. Gorgeously semi-mature, its metals golden and its acids rounder but still crystal-clear as they pierce the wine’s heart. What residual sugar there once might have been (I no longer recall the wine in its youth) is now no more than a slightly clouded polish on the shiny core, though it would be difficult to say that the wine presents as “dry”…its aspect is too lavish for that. (11/11)

Dettori “Badde Nigolosu” 2008 Romagnia Rosso “Ottomarzo” (Sardinia) – The walloping stank of immense volatile acidity…and not much else. VA is my “thing,” yes, but I can’t get past it here. This wine is grossly, impenetrably flawed. I appreciate the prose middle finger to convention and marketability on the back label, in which they insist on their right to produce wines like this, but while I like many Dettori wines a great deal and have absolutely adored some as works of near-genius, this is not one of them. This is horrible. (11/11)

Contini 1998 Vernaccia di Oristano “Riserva” (Sardinia) – Like drinking preservation. Not any specific method of, but preservation itself. This sense of unsatisfied temporal tension awaiting content is almost specific to vernaccia di Oristano, for my palate, and sets it apart from so many other flor wines with much more self-generated qualities. Vernaccia di Oristano always seems like it’s expecting something that hasn’t yet happened. (11/11)

Nigolosu Cage

Dettori “Badde Nigolosu” 2007 Romangia Bianco (Sardinia) – 15.5%. Let’s get the volatility out of the way first: yes, there’s some, but it’s well-managed (and since I’m very sensitive to the stuff, normal human beings probably won’t even notice it). And to deal with the second plumptious elephant in the room, the alcohol is very perceptible as size but not as heat, which is – this is a pet theory of mine, but increasing experience bears it out – largely due to the orange wine-like structure of this particular beast, which seems to block or otherwise mask the booze. As for the rest, it’s sun-drenched, rich with kaleidoscopic flavors nudged in the direction of stone fruit, and texturally adhesive. This is a delicious wine, but far too powerful to just open willy or nilly; it needs the right sparring partner. (12/11)

M-m-m-my Shardana

Santadi 2004 Valli di Porto Pino “Shardana” (Sardinia) – I very well know, through experience, that Sardinia’s reds can be on the burly side, and yet somehow I’m perpetually surprised when I get an especially gravitic one. I shouldn’t be, anymore. This is black-hearted fruit with tiny shots of espresso and charred rosemary, and though there’s a diagonal rinse of strong acidity it’s not enough to make the wine anything other than heavy. Needs the right food. (7/11)

Romangia the stone

Dettori 2007 Romangia Bianco Badde Nigolosu (Sardinia) – 100% vermentino. Looks, tastes, and feels like an orange wine, though the maceration isn’t all that long (ten days). It’s perhaps that it’s unfiltered and un-everything-else that leads to an orange sort of palate impression, though there is evident tannin. The luxuriant yet not overly polished texture is the wine’s primary highlight (among rather a sea thereof). Dried white flowers, some fresher buds, grasses, herbs, dried citrus, leaves, minerality to spare, and gravity without weight, density without concentration. Brilliant wine. Absolutely brilliant. (11/10)

Friends, Romangia, countrymen

Dettori 2006 Romangia Rosso Badde Nigolosu (Sardinia) – 100% cannonau (grenache). Subtle, seeming to rise from its lotus position with a slow unfolding of limbs. The subtlety never really goes away, though, and those expecting a more standard Sardinian cannonau – that is, one with a big and fruity palate impact – might be disappointed. Well, their loss. This requires attention to its graceful swirls of dusty berry and rich, semi-volcanic earth. The finish is so quiet that the inattentive will consider it to have departed long before it actually does. Not as showily brilliant as the white, this has more peaceful charms, and they’re more than OK. (11/10)