Browse Author

thor iverson

Writer, educator, communicator, consultant. Wine, spirits, food, cocktails, dining, travel. Authoring a book on the sensorial theory of wine & cheese pairing.

The Belle of the ball

Belle Pente 2003 Riesling (Willamette Valley) – Clean, water-washed ripe red apple and ripe lemon with moderate sweetness. It’s good for a fruity expression of riesling, but (at least at this stage) it lacks further complexities of the mineral or floral variety. The balance is there, but it remains to be seen if the wine will develop into anything more than pleasant.

Belle Pente (pronounced “bell pont,” in the French manner) is a winery best-known for its often-striking pinots, done in a restrained, elegant, and – dare I say it? – almost Burgundian fashion. Pinot and riesling are often paired in the minds of terroir-obsessed oenophiles, but outside New Zealand it’s rare for a winery to make them both well. One does indeed hope for more here, but it will be a long while before we can tell if the problem is the site or the application…and anyway, it’s not like the wine is unpleasant or flawed in any way. It’s just not as good as the pinots. Alcohol: 13.7%. Web: http://www.bellepente.com/

Tòr-iffic

Lageder “Tòr Löwengang” 2004 Pinot Bianco Haberlehof (Alto Adige) – Stunning, intense and pure. Dried white winter fruit ground to a micropowder, with powerful glacial minerality and a long, vibrant finish. Really amazing.

The Alto Adige is one of the most beautiful wine regions on the planet, with sheer, ice-capped mountains and cliffs sheltering warm valleys, and vines trussed up steep hillsides; some of these sites may well require a Sherpa at harvest time. Since there’s no real restriction on what can and can’t be made under the appellation laws, there’s no signature identity of the region except the one you might expect: a stern, mineral-driven austerity indicative of both the climate and the hybrid Italian/Austrian culture. When it fails, one is merely left with a severe, overly-restrained wine. When it succeeds, as in the rest of the Germanic wine world, it succeeds brilliantly. This wine, from older (for pinot bianco) vines at 1500 feet and aged with the very slightest touch of new wood (which here shows more oxidative than flavor-deforming), is an unquestioned success. Importer: Lageder USA. Alcohol: 13%. Web: http://www.lageder.com/

Beaming

Château d’Estoublon 2001 Les Baux de Provence (Provence) – Very advanced for its age, with somewhat baked red fruit, earth-toned spice box aromas and a structure that’s starting to fray at the seams.

Les Baux de Provence is known for its beauty and for the Michelin-starred restaurant L’ Oustaù de Baumanière. What it’s not very well known for are its wines. And that’s an odd thing to say, considering that a very well-known wine indeed – Domaine de Trévallon – is produced within the appellation’s borders. The problem with Trévallon is that it exceeds the legal limit for cabernet sauvignon (a debatable limitation on the region’s wines), yet again relegating an appellation’s best producer to vin de pays status. When will the French learn? 30% grenache, 30% syrah, 30% mourvèdre, 10% cabernet sauvignon. Importer: Ruby Wines. Organic. Web: http://www.estoublon.com/ Alcohol: 13.5%.

The land of the flat white crowd (New Zealand, pt. 3)

Prism sentience

Don’t talk to me about rainbows. Those partial-arc terrestrial versions are, at best, pale imitations of what I’m seeing now. I rub the crust of a long airborne snooze from my eyes and gaze, dumbfounded, out the tiny airplane window at vivid lasers of color streaking across the pre-dawn horizon. Above and below are two themes on uninterrupted grayscale, but in-between is the most wondrous display of prismatic brilliance imaginable, the pure refraction of the planet’s encircling atmosphere unhindered by the distractions and diffusions of earthbound land and sky.

I fire up the in-seat video screen and thumb the controls to channel one: the overhead map. The long, island-dotted crossing of the Pacific is, mostly, behind us, and Auckland – our destination – inches centerward. As I twist and stretch stillness-abused muscles and joints, cabin lights stutter and stagger into illumination, while roasted esters of morning coffee drift from the galleys. It’s morning, and New Zealand approaches.

Energy crisis

Perhaps just a little bit of familiarity breeds ease, but this trans-Pacific crossing seems much less body-destroying than the last one, and we arrive at Auckland International Airport fairly refreshed and energized. That energy is tested a bit by a long wait at the other end of customs (a reminder to self: carefully clean golf shoes before flying to a country with obsessive agricultural neuroses) but returns as we step out into the sharp, sunny clarity of an early summer morning. The sky is blue, the grass green, the air clear, and after many months of endless snow, wearying cold, and dreary gray back in Boston, it’s a wake-up call to surpass all others. Our senses are alive, our anticipation peaked. The heart of our long-planned voyage is finally at hand.

A half-hour later, all our energy is gone…sapped by the deadening heat of an airport shuttle caught in a rush hour traffic jam and without compensatory air conditioning (or windows that can be opened), but with the noisy and unavoidable drone of two monitors blaring an endless litany of touristy advertainment. Only the entry into Auckland itself stirs our senses, as we point out familiar landmarks and remembered sites like old friends in a crowd. We’re deposited at the end of Queen Street just across from the glowing orange-golf of the Ferry Building, quickly cross a street that’s nearly devoid of traffic (where’d the rush hour go?), and purchase a small handful of ferry tickets. We’re headed for the sedate retreat of Waiheke Island, a half-hour ferry ride from the sailboat-and-shipping-filled waters of Auckland’s Waitemata Harbor and into the island-dotted expanse of the Hauraki Gulf. We’ve just missed the 9 a.m ferry – curses on traffic jams everywhere – and so, settled into uncomfortable red plastic chairs, we wait for the next…which arrives on the hour in a clanking, creaking din of metal against wood and a hissing vapor of choking exhaust.

The Gulf and its low-slung islands still glisten in bright sun, but every glance westward – back across the towered rise of Auckland and over the mainland – reveals an oncoming wall of rain. It chases us onto the ferry, pauses at the thermal barrier of the Harbor, and then rushes forward once again. It is thus that we have a clear, calm, and sunny passage – the brisk and sweet-smelling wind reviving our travel-dulled minds – but arrive at the sedate and rustic Matiatia passenger terminal on Waiheke Island just as a first few experimental drops of rain fall. The slow trickle of passengers through the cavernous and largely empty terminal is calming enough that the energy of the city already seems a distant memory. We collect a grossly expensive rental car (someone could make a lot of money offering a cheaper alternative to the island’s two rather larcenous automobile agents) and gingerly edge out of the parking lot, Theresa at the wheel and me repeating our British Empire mantra at each intersection and turn: “left…left…on the left…you’re driving on the left…left…left.”

(Continued here…)

White roussanne (hold the vodka)

Tablas Creek 2002 Roussanne (Paso Robles) – Varietally restrained and hiding under its (fairly moderate) oak aromatics at the moment, with a weighty, thick texture (though there’s pleasant enough acidity) and a long, heavy finish that shows faint hints of crystallization. This wine has a better future than a present.

Of the well-known trio of white Rhône Valley grapes (I say “well-known” because others – grenache blanc, bourboulenc, etc. tend to get lost in the shuffle), roussanne is by far the least appreciated. It lacks the honeyed floral charm of viognier and the boisterous fruit of marsanne, instead showing an austere, fabric-like texture that’s rather forbidding. It does age, but even then it’s not exactly an easygoing, beginners’ wine. Here, Tablas Creek (the California venture of Beaucastel’s Perrin family and their American importer, Robert Haas) separates some roussanne from their white blends for a varietal wine; a useful and educational comparison can currently be done with the 2004 version of this wine (from the same site) that’s vinified by Steve Edmunds at Edmunds St. John. The ESJ, unsurprisingly, is crisper and uninfluenced by oak, while the Tablas shows less skin bitterness and more generosity (a relative term, in this case). Both, however, show raw materials worth aging and further examination, and both show that while Tablas Creek is doing admirable work in the cellar, it is perhaps in the vineyard that they are making their greatest strides. (Alcohol: 14.3%. Web: http://www.tablascreek.com/)

Kritt-ical thinking

Kreydenweiss 2001 Gewurztraminer Kritt “Les Charmes” (Alsace) – Succulent ripe pear and lychee dust with vivid crystalline minerality and lovely acidity. Poised, flavorful and balanced. Built for the long haul.

Lyrical fish

Zaccagnini 2004 Colline Pescaresi “il bianco di Ciccio” (Abruzzi) – Vivid, ripe green leaves and wood-smoked minerality. Intense and somewhat neon, with a powerful backpalate and a forceful, balanced finish.

Megan 2001 Lirac “Les Queyrades” (Rhône) – Sweaty leather, dark blackberry residue, black dirt and meat oil. Classic and pure, though the finish is perhaps a bit shorter than one would want.

Mescladis…without the worm

Mas de Périé “Domaine Clavel” 2004 Côteaux du Languedoc Terroir de la Mejanelle “Mescladis” (Languedoc) – This, since it’s not apparent from the name, is a rosé. Slurpy red fruit with lavender-scented aromatics. The nose promises much, but the palate fails to deliver.

Closing the Bookwalter

J. Bookwalter 2003 Cabernet Sauvignon (Columbia Valley) – Chocolate and eucalyptus – not as awful as it sounds – in a rich, big-fruited, reasonably balanced and well-made wine that I don’t care for one bit. Too anonymous for me.

Simmern over low heat

von Simmern 2002 Hattenheimer Wisselbrunnen Riesling Kabinett 010 03 (Rheingau) – Fresh liquid steel and succulent honeysuckle, quite sweet and ripe (well into spätlese territory, it seems), with a long and lovely balance to the finish. Really beautiful, youthful, and endlessly promising.