Browse Author

thor iverson

Writer, educator, communicator, consultant. Wine, spirits, food, cocktails, dining, travel. Authoring a book on the sensorial theory of wine & cheese pairing.

Diemed worthy

[diemersfontein]Diemersfontein “Reserve Collection” 2014 Pinotage (Wellington) — Not too much vinyl; more of an internationally-styled dark red, though the occasional peppery pinotage pong does come through. It’s a nice enough wine, though it needs flesh that’s been atop fire. (4/16)

Urbain decay

Zind Humbrecht 1997 Pinot Gris Rangen de Thann Clos Saint Urbain (Alsace) — Like an oloroso made by ferrets to which has been added stale bathwater and molten lead. Beyond undrinkable. (4/16)

Émmy award

[cfe]Trimbach 1998 Riesling “Cuvée Frédéric Émile” (Alsace) — Fully mature. The dust of a once-mighty civilization, reduced to corroded steel and acid rain. Like drinking a raw nerve. Absolutely delicious, and everything I ever hoped when I chose to age this by the case. (4/16)

Duplexing

Duplessis 2012 Chablis Fourchaume 1er Cru (Chablis) — Mineral salts, but whence the oxidative nature? It’s broadening at the moment, and thus pleasant, but I wonder if this isn’t suffering under a failed cork, because the note seems to surprise everyone who’s had or sold the wine. (4/16)

[stained barrel]

No filter, no cry

There comes a moment in every young wine writer’s life when they dabble at becoming Robert M. Parker, Jr. When knowledge of wines crosses the Rubicon into a vastly more satisfying (and self-satisfied) knowledge of wine, and the urge to proclaim their understanding suddenly becomes overwhelming.

With fair frequency, the very next moment in every young wine writer’s life is someone with vastly more knowledge explaining that they’re wrong.

I’m pretty sure my own era of ranting from a illusory mountaintops happened around the turn of the millennium; I was convinced I was on my way to being a Master of Wine (I wasn’t), I had done the work of tasting and study (but not nearly enough), I knew stuff (only some), and I had regular outlets through which to bestow my undoubtedly brilliant and precious insights on an eager audience.

Reading my work from those days is now a matter of silencing endless groans of embarrassment, and there are more than a few things I wish I could permanently expunge. But what I really wish is that I’d preserved the admonishments and corrections from (mostly) patient correspondents. I could make copies and forward a parcel to each new writer as they enter their own personal Enlightenment, accelerating the arrival of their own personal Disillusionment.

Most eventually pass through this boastful phase and move on to a truly satisfying era in which excitement and energy are drawn from unknowns, from yet-unsolved mysteries, from new horizons. An unfortunate few remain Parkeresque, driving anchors deep into their epistemological turf, cementing them into permanence, and screaming bloody murder at heathens and apostates who dare question their god-like authority.

And so it was that I prepared for the worst as the following pull quote scrolled past my not-quite-awakened eyes this morning:

Enough about sulfur already. More wines are ruined by filtration.

“Uh-oh,” I fretted. For the author is still young, and occasionally inclined to shout. Keep Reading

Intimidation

[cfe]Trimbach 1995 Riesling “Cuvée Frédérique Émile” (Alsace) — From magnum…and let me say, for the record, that the John Holmes-ian stature of a Trimbach magnum is a sight to behold. Wielding this giant phallic symbol deftly enough to connect wine with glass is a multi-handed operation, yet the wine is far less forbidding than its pour. In fact it’s a fairly straightforward CFE, its iron and steel fully exposed but with the filigreed detail eroded. It’s lost none of its nerve nor its high-polarity lines of force, yet the overall energy feels diminished and buffeted. Perhaps catching it a bit younger would have been better? (Disclosure: this bottle was a gift from Jean Trimbach, from a 1998 visit to the winery.) (4/16)

Lytton foundation

[lytton springs]Ridge 1995 Lytton Springs (Dry Creek Valley) — While this site doesn’t produce the most graceful or complex of Ridge’s zin-heavy blends, it certainly remains the most stubborn among them. It’s the wine that makes one think, “I would have guessed it’s younger than that,” time and time again. Moreover, it often absorbs the perfumed oak that lays like dense humidity over wines like Geyserville, leaving the strong-willed fruit to do the enduring. So while there’s certainly been development towards the leathery oldberry character that is so often Lytton’s signature, the wine seems nowhere near senescence…and I would, indeed, have guessed it ten years younger than it really is. (4/16)

Turn it up

[amplify]Amplify 2013 Carignane Rosé Camp 4 (Santa Ynez Valley) — Funky and reluctant at first, but it grows into its awkwardness. While it’s a (very light) rosé of a red grape, if you told me it was an orange vermentino I’d not have blinked; there’s a sort of heavy-air salinity to it that makes it feel coastal, even if it’s anything but. A nice wine that deserves more exploration than I gave it. (4/16)

Where fools dert to tread

Coudert 2005 Fleurie Clos de la Roilette (Beaujolais) — Was there a Tardive in 2005? (Checks.) There was. And yet, this clings, and clings well. It’s not robust, it’s not vibrant, it’s not singing. It’s pale and wizened and rather beautiful. It’s a beloved memory, well-preserved. (4/16)

Oysters

[ca'rugate]ca’ Rugate 2002 La Perlara Recioto di Soave (Veneto) — Bronzed sucrosity. Incredibly dense. Old and powerful.